2011
DOI: 10.7749/citiescommunitiesterritories.jun2011.022.art01
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The urban milieu and the genesis of creativity in cultural activities: An introductory framework for the analysis of urban creative dynamics

Abstract: The increasing interest on the role of cultural activities in territorial development and the related notion of "Creative City" have brought the relation between urban space and creative activities to the centre of academic and policy-making agendas. This paper aims to understand how the urban milieu plays an essential role in the embeddedness of sustainable creative dynamics based on cultural activities. We discuss the notion of creativity, focusing on cultural activities and then we analyse the role of urban… Show more

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Cited by 6 publications
(5 citation statements)
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“…The emphasis on creativity arises from a broader orientation within a “creative turn” (Pine & Gilmore, 1999), combining a symbolic economy (Lash & Urry, 1994) and creative classes (Florida, 2003), living in creative cities (Hannigan, 1998, 2007; Landry, 2000), and developing creative industries (Caves, 2002; Hartley, 2005; O’Connor, 2010). Notwithstanding some controversies around this “creative turn” (Flew & Cunningham, 2010; Glaeser, 2005; Peck, 2005; Allen John Scott, 2006) and the polarized analysis of creative dynamics on agglomeration effects and core urban areas (Costa, 2008; Costa et al, 2011; Markusen, 2007; Scott, 2000), interesting research has been done on the relevance of these dynamics to peripheral and low density areas (Bell & Jayne, 2010; Duxbury, 2011; Duxbury & Richards, 2019; Jayne et al, 2010; van Heur, 2010). This link between creativity and tourism has also been strengthened by cultural and tourism policy makers (e.g., OECD, 2014; UNCTAD, 2017; UNESCO & United Nations World Tourism Organization, 2015).…”
Section: Creative Tourism As a Driving Force For Peripheral Areasmentioning
confidence: 99%
“…The emphasis on creativity arises from a broader orientation within a “creative turn” (Pine & Gilmore, 1999), combining a symbolic economy (Lash & Urry, 1994) and creative classes (Florida, 2003), living in creative cities (Hannigan, 1998, 2007; Landry, 2000), and developing creative industries (Caves, 2002; Hartley, 2005; O’Connor, 2010). Notwithstanding some controversies around this “creative turn” (Flew & Cunningham, 2010; Glaeser, 2005; Peck, 2005; Allen John Scott, 2006) and the polarized analysis of creative dynamics on agglomeration effects and core urban areas (Costa, 2008; Costa et al, 2011; Markusen, 2007; Scott, 2000), interesting research has been done on the relevance of these dynamics to peripheral and low density areas (Bell & Jayne, 2010; Duxbury, 2011; Duxbury & Richards, 2019; Jayne et al, 2010; van Heur, 2010). This link between creativity and tourism has also been strengthened by cultural and tourism policy makers (e.g., OECD, 2014; UNCTAD, 2017; UNESCO & United Nations World Tourism Organization, 2015).…”
Section: Creative Tourism As a Driving Force For Peripheral Areasmentioning
confidence: 99%
“…Such a cultural system can then be restricted to deal only with certain social groups, and the way in which they demark their properties, as well as bounded to a certain territory to produce an urban cultural system fit for research. With some necessary developments, phenomena such as cultural gentrification (Zukin, 1995), urban subcultures (Brake, 1980;Muggleton and Weinzierl, 2003), creativity (Costa, Vasconcelos, and Sugahara, 2011) amongst other phenomena could be brought together under such a description. Namely, for phenomena such as heritage, such a systemic discussion can bring to light the similarities of topics discussed there with other cultural phenomena.…”
Section: A Systemics Of the Urbanmentioning
confidence: 99%
“…A investigação aqui apresentada desenvolveu-se num quadro mais amplo de pesquisa, que tem preocupado os autores deste artigo nos anos mais recentes, em torno da relação entre bairros culturais, "meios criativos", espaço púbico e intervenções artísticas, ou ainda do conflito e informalidade como motores da vitalidade artística e revitalização urbana (cf. Costa 2007Costa , 2009Costa , 2013Costa , 2015Costa e Lopes 2011, 2013Costa, Vasconcelos e Sugahara 2011;Lopes 2012Lopes , 2015.…”
Section: Para a Análise Das Dinâmicas Criativas No Espaço Urbanounclassified