“…The emphasis on creativity arises from a broader orientation within a “creative turn” (Pine & Gilmore, 1999), combining a symbolic economy (Lash & Urry, 1994) and creative classes (Florida, 2003), living in creative cities (Hannigan, 1998, 2007; Landry, 2000), and developing creative industries (Caves, 2002; Hartley, 2005; O’Connor, 2010). Notwithstanding some controversies around this “creative turn” (Flew & Cunningham, 2010; Glaeser, 2005; Peck, 2005; Allen John Scott, 2006) and the polarized analysis of creative dynamics on agglomeration effects and core urban areas (Costa, 2008; Costa et al, 2011; Markusen, 2007; Scott, 2000), interesting research has been done on the relevance of these dynamics to peripheral and low density areas (Bell & Jayne, 2010; Duxbury, 2011; Duxbury & Richards, 2019; Jayne et al, 2010; van Heur, 2010). This link between creativity and tourism has also been strengthened by cultural and tourism policy makers (e.g., OECD, 2014; UNCTAD, 2017; UNESCO & United Nations World Tourism Organization, 2015).…”