The Thermal Feedback Influencer: Wearable Thermal Display for Enhancing the Experience of Music Listening

Chills in music: A systematic review.

“…While less relevant to this review, it is worth mentioning a small set of studies that have used MECs as an independent variable, leading to findings that MECs led to improved communication and heightened self-perception in a music therapy context (Lee, 2008), as also hypothesised by Tihanyi (2016), had no effect on memory performance as measured by image recall (Carr & Rickard, 2016) or on craving reduction in abstinent individuals with alcohol use disorder 2009), Fukui and Toyoshima (2013), Participant-vs. experimenter-selected music Benedek and Kaernbach (2011), Carr and Rickard (2016), Craig (2005), Grewe et al (2007), Mas-Herrero et al (2014), Nagel et al (2008), Panksepp (1995), Quesnel and Riecke (2018), Rickard (2004), Weth et al (2015), Wassiliwizky, Koelsch, et al (2017) Participant-selected vs. other participants' music Blood and Zatorre (2001), Laeng et al (2016), Mori and Iwanaga (2014b), Mori and Iwanaga (2015), Mori and Iwanaga (2017) Table 2: Experimental paradigms used in research on music-evoked chills (Mathis & Han, 2017), had an effect on gait, as seen by increased cadence and stride length, and reduced stride time (Park et al, 2019), did not improve mood or increase generosity, helpfulness, or prosocial behaviour (Konečni et al, 2007), but contradictorily, did promote altruistic behaviour (Fukui & Toyoshima, 2014). Three devices have also been designed in an attempt to induce chills, through electrostatic force (Fukushima & Kajimoto, 2012) or coldness (Ishikawa et al, 2019;, with the purpose of enhancing emotional experiences.…”

“…,Sachs et al (2016),Salimpoor et al (2009),Salimpoor et al (2011),Sumpf et al (2015) ManipulationStimulus manipulationBannister and Eerola (2018), Bannister (2020b), Honda et al (2020), Juslin et al (2014), Park et al (2019) Stimulus comparison Beier et al (2020), Goodchild et al (2019) Group comparison Beier et al (2020), Grewe et al (2009a) Treatment comparison Egermann et al (2011), Schoeller and Perlovsky (2016), Schoeller, Eskinazi, and Garreau (2018), Sutherland et al (2009) Longitudinal Grewe et al (2007) Neurochemical Ferreri et al (2019), Goldstein (1980), Starcke et al (2019) Other Chills as independent variable Carr and Rickard (2016), Fukui and Toyoshima (2014), Konečni et al (2007), Lee (2008), Mathis and Han (2017), Park et al (2019) Chills induction through physical meansFukushima and Kajimoto (2012),Ishikawa et al (2019), …”

Frisson Waves: Sharing Frisson to Create Collective Empathetic Experiences for Music Performances

“…Grewe et al [42] proved that among different sensory domains, tactile feedback is the most frisson-tending trigger such as moving feathers around the neck. In the "The Thermal Feedback Influencer" [46] project that sudden cold thermal feedback in the context of listening to music is also proved to be the obvious trigger of frisson and could enhance music listening experience. The project "Frisson" [6] created a spine-attached thermal band as an aesthetic prosthesis(see Figure .2.9a)to induce emotions from the body up through interoceptive technologies.…”

Chills in music: A systematic review

“…While less relevant to this review, it is worth mentioning a small set of studies that have used MECs as an independent variable, leading to findings that MECs led to improved communication and heightened self-perception in a music therapy context (Lee, 2008), as also hypothesised by Tihanyi (2016), had no effect on memory performance as measured by image recall (Carr & Rickard, 2016) or on craving reduction in abstinent individuals with alcohol use disorder (Mathis & Han, 2017), had an effect on gait, as seen by increased cadence and stride length, and reduced stride time (Park et al, 2019), did not improve mood or increase generosity, helpfulness, or prosocial behaviour (Konečni et al, 2007), but contradictorily, did promote altruistic behaviour (Fukui & Toyoshima, 2014). Three devices have also been designed in an attempt to induce chills, through electrostatic force (Fukushima & Kajimoto, 2012) or coldness (Ishikawa et al, 2019;, with the purpose of enhancing emotional experiences.…”