The Shakespearean films of the 90s: Afterlives in transmedia in the 21st century

From zones to Zoom: Shakespeare on screen in the digital era

“…4 The congress also took place exactly thirty years after the release of Kenneth Branagh's Henry V (1989), which triggered the fin-de-siè cle wave of screen adaptations and which belongs to a generation of films which has constantly been 'revisited through online multimedia', as Sarah Hatchuel has demonstrated. 5 The Montpellier congress also took place twenty years after the publication of the late Kenneth S. Rothwell's seminal History of Shakespeare on Screen which has since then become the landmark to study Shakespeare on screen, as is shown by the expert film-bibliography that José Ramón Díaz Fernández has kindly accepted to update for this special issue of CahiersÉlisabéthains. This bibliography reflects the vitality of the research field of Shakespeare on screen in the digital era, which has expanded and diversified exponentially over the past two decades.…”

The Ramification of Shakespeare's Hamlet as Karmayogi: Reflecting the Cultural Traces of Post-Colonial Kerala

“…The research article also points out that the movie goes through double adaptation due to inter-generic transfer of text from stage to screen and the text in itself. Sarah Hatchuel (2015) has explored the field of aficionado on YouTube, videogames, social networks and other online platforms on the appropriation of Kenneth Branagh's Henry V or Franco Zeffirelli's Hamlet. Differences in narration and aesthetic from Shakespeare's work which is appropriated with ghosting effects have been extensively used in the online multimedia and transfiction.…”