“…Whereas for the former, good information could be gained by a variety of techniques (colorimetric assays, 2 infrared spectroscopy, 3 acid hydrolysis followed by chromatography 4,5 ), for the latter, the detection and identification of specific resins in paint media was not possible before the use of high-resolution gas chromatography, 6,7 Fourier-transform infrared spectroscopy and gas chromatography/mass spectrometry. 9 More recently, new techniques such as pyrolysis/gas chromatography, 10 pyrolysis/gas chromatography/mass spectrometry, 11,12 ion-source pyrolysis/mass spectrometry 13 and simultaneous pyrolysis-methylation/gas chromatography/mass spectrometry 14 have afforded unequivocal assignments to the resin composition of art materials, and have also improved the information obtainable from carbohydrate-based media, 15 revealing the possibility of obtaining characteristic fingerprints for the different materials.…”