Abstract:This paper examines the study and images of the Mexican amphibian axolotl published by the Mexican landscape painter José María Velasco in 1879. Soon thereafter Velasco encountered the study of the same amphibian written by the German Neo-Darwinist August Weismann. Velasco disputed Weismann’s evolutionary views and defended his own observations. Through an analysis of Velasco’s images, I argue that their aesthetic features were strategic to developing a biological explanation of the creature’s development. Thi… Show more
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