Abstract:This article will align Christina Rossetti's poetics with Susan Sontag's work on suffering to argue that in Rossetti's poetic universe suffering is a necessary precursor to a realisation of love. Turning to Mikhail Bakhtin's theorising of the carnivalesque, the article describes the landscape of Goblin Market as one in which established social convention is overturned and suggests that it is against this landscape of perversity that suffering is reimagined as a precursor to love. Furthermore, to demonstrate ho… Show more
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