2011
DOI: 10.1007/s12119-011-9113-2
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The Rise of Recreational Burlesque: Bumping and Grinding Towards Empowerment

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Cited by 15 publications
(16 citation statements)
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“…Evidence suggestive of a positive covariation between beautification and agency derives from some feminist scholarship, which argues that self-sexualization elevates agency by allowing women to transgress stereotypically chaste expressions of female sexuality [17]. Consistent with this notion, some women report that self-sexualizing makes them feel assertive and selfefficacious, as well as strong, independent, and powerful [4,[18][19][20]. Enhancing one's attractiveness through cosmetics also offers considerable social and economic benefits to women, including higher tips at work and perceptions of increased intelligence [21,22].…”
Section: Beautification Effects On Women's Agencymentioning
confidence: 95%
“…Evidence suggestive of a positive covariation between beautification and agency derives from some feminist scholarship, which argues that self-sexualization elevates agency by allowing women to transgress stereotypically chaste expressions of female sexuality [17]. Consistent with this notion, some women report that self-sexualizing makes them feel assertive and selfefficacious, as well as strong, independent, and powerful [4,[18][19][20]. Enhancing one's attractiveness through cosmetics also offers considerable social and economic benefits to women, including higher tips at work and perceptions of increased intelligence [21,22].…”
Section: Beautification Effects On Women's Agencymentioning
confidence: 95%
“…Studies of the use of dance as an empowerment intervention have focused on adolescents (Cappel, 1995;Duberg et al, 2016;Kotin et al, 2013) and adult women (Leseho & Maxwell, 2010;Moe, 2014;Regehr, 2012). These interventions have linked increases in empowerment to improvements in mental health functioning for individuals with mild to moderate mental illness (Duberg et al, 2016;Leseho & Maxwell, 2010;Regehr, 2012).…”
Section: Empowerment and Dance Movementmentioning
confidence: 99%
“…Studies of the use of dance as an empowerment intervention have focused on adolescents (Cappel, 1995;Duberg et al, 2016;Kotin et al, 2013) and adult women (Leseho & Maxwell, 2010;Moe, 2014;Regehr, 2012). These interventions have linked increases in empowerment to improvements in mental health functioning for individuals with mild to moderate mental illness (Duberg et al, 2016;Leseho & Maxwell, 2010;Regehr, 2012). Dance interventions have also resulted in decreased internalized sexism (Cappel, 1995;Moe, 2014;Regehr, 2012), classism (Cappel, 1995;Kotin et al, 2013), racism (Cappel, 1995;Kotin et al, 2013) and ageism (Moe, 2014).…”
Section: Empowerment and Dance Movementmentioning
confidence: 99%
“…This vision has materialised into the figure of the sexually agentic, adventurous woman who is unafraid to flaunt her sexuality (Gill, 2003), whether it be through wearing revealing clothing (Duits & VanZoonen, 2006), learning to pole dance (Donaghue, Kurz, & Whitehead, 2011), displaying a "perfomative shamelessness" in social media profiles (Dobson, 2014), or engaging in "raunchy" public displays of sexually suggestive behaviour (Levy, 2005). Confidence and empowerment are central tenets of sexualised culture, and have become common buzzwords in marketing products such as pole dancing lessons (see Donaghue, et al, 2011) and lingerie (Amy-Chinn, 2006), as well as in some women's positive accounts of their experiences with them (e.g., Holland & Atwood, 2009;Regehr, 2012;Whitehead & Kurz, 2009). Yet despite the focus on confidence and empowerment as key gains to be had from such forms of self-sexualisation, the precise nature of the "empowerment" on offer is often not explicitly articulated.…”
Section: Self-sexualisation As Empowermentmentioning
confidence: 99%