2019
DOI: 10.1007/978-3-030-03635-5_1
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The Rise of 3D in Maritime Archaeology

Abstract: This chapter provides an overview of the rise of 3D technologies in the practice of maritime archaeology and sets the scene for the following chapters in this volume. Evidence is presented for a paradigm shift in the discipline from 2D to 3D recording and interpretation techniques which becomes particularly evident in publications from 2009. This is due to the emergence or improvement of a suite of sonar, laser, optical and other sensor-based technologies capable of capturing terrestrial, intertidal, seabed an… Show more

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Cited by 13 publications
(11 citation statements)
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References 54 publications
(45 reference statements)
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“…Rapidly evolving digital technologies have been integrated into underwater archaeological practices at a swift rate, owing to the challenges presented by elements such as depth, visibility, temperature, and currents [5]. Originally used by the authors to record and document underwater sites, it was quickly realized that these digital assets also had value as a means to communicate UCH to those who are not able to visit the sites in situ.…”
Section: Malta and The Development Of Underwater Cultural Heritage Managementmentioning
confidence: 99%
See 2 more Smart Citations
“…Rapidly evolving digital technologies have been integrated into underwater archaeological practices at a swift rate, owing to the challenges presented by elements such as depth, visibility, temperature, and currents [5]. Originally used by the authors to record and document underwater sites, it was quickly realized that these digital assets also had value as a means to communicate UCH to those who are not able to visit the sites in situ.…”
Section: Malta and The Development Of Underwater Cultural Heritage Managementmentioning
confidence: 99%
“…The main aim behind this was the creation of a single widely accessible space where members of the public can explore multiple UCH sites as 3D reconstructions or through virtual reality (VR). The versatility and success of tools such as 3D models and VR for cultural heritage purposes have already been demonstrated [5,[15][16][17][18][19][20][21], establishing them as fundamental tools that "can be applied to the world of cultural heritage as a vessel for preservation, reconstruction, documentation, research and promotion" [22] (p. 42).…”
Section: Malta and The Development Of Underwater Cultural Heritage Managementmentioning
confidence: 99%
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“…Since then, interest in this technique in the field has been growing with the arrival of digital technology, thanks also to the implementation of geographic information systems (GIS) and the creation of digital terrain models (DTM). The book “3D Recording and Interpretation for Maritime Archaeology” [ 27 ] reports several contributions to the topic and numerous reviews in which techniques for underwater measurements are explored. Among them, some examples can be found in the creation of networks of control points for an accurate positioning system or in the creation of 2D models and 3D reconstructions of wrecks, with a comparison among different approaches [ 28 , 29 , 30 , 31 ].…”
Section: Introductionmentioning
confidence: 99%
“…For instance, when the wreck at Uluburun was discovered, the divers had to conduct up to 22,413 dives to depths between 44 and 61 m [14]. With the development of acoustic and optical technology, devices such as scanning sonar can obtain data of underwater targets with high precision and high resolution [15]. In the Thistlegorm Project, underwater photogrammetry was used in the survey of a shipwreck and proved to be an important tool for acquiring high-quality images, even in an unfavourable underwater environment [16].…”
Section: Introductionmentioning
confidence: 99%