2017
DOI: 10.26417/ejms.v5i1.p402-408
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The Representation of Masculinity in Cinema and on Television: An Analysis of Fictional Male Characters

Abstract: Mass media, especially cinema and television, are important devices that build and strengthen males and female roles in societies. The representation of gender in media is crucial because individuals get to know gender roles in the process of socialization. Besides the female identity, masculinity is also a constructible element and fictional male characters produced both in cinema and on television send messages about masculinity to the audience. In this study, the male representation both in the television s… Show more

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Cited by 10 publications
(6 citation statements)
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“…Additionally, honorifics denote gender, with ‘Messrs’ referring to the three new board members reinforcing the idea that the male characters are the strongest and powerful in Botswana, and able to deal with difficult situations. While hugely contested, the government’s Facebook discourse suggests that Botswana is a patriarchal society, and this resonates with Gürkan and Serttaş (2017: 406)’s observation that men in patriarchal ideologies are often regarded as having ‘no flaws’.…”
Section: Persuasion Through Functional Honorifics and Nominationmentioning
confidence: 91%
“…Additionally, honorifics denote gender, with ‘Messrs’ referring to the three new board members reinforcing the idea that the male characters are the strongest and powerful in Botswana, and able to deal with difficult situations. While hugely contested, the government’s Facebook discourse suggests that Botswana is a patriarchal society, and this resonates with Gürkan and Serttaş (2017: 406)’s observation that men in patriarchal ideologies are often regarded as having ‘no flaws’.…”
Section: Persuasion Through Functional Honorifics and Nominationmentioning
confidence: 91%
“…Arthur Seaton and Chris's characters have very similar issues to resolve, and aside from the increased irony provided by the film's black comedy and ultra-violence, it could be argued that British cinema is still trying to grapple with the problem of toxic masculinity sixty years on from the seminal kitchen sink dramas that first provided vital reflections of gender politics and their impact on society. This continued fascination of masculinity in crisis on-screen also highlights the fact that the problem is ongoing and evolving and rather than starting and ending at specific points, there is more value in accepting that 'there are many femininities and masculinities cyclically and culturally' (Gurkan & Serttas, 2017). At the same time as acknowledging the similarities between the issues presented in the 1960s and those front and centre in Sightseers, we must also examine the culture of, and reasons for, violent and destructive behaviour that may be linked to contemporary white, working-class masculinity in crisis.…”
Section: Case Study Analysismentioning
confidence: 99%
“…Tydliga representationer av kön och genus utifrån en normativ heterosexuell könsidentitet har visat sig vara en av de viktigaste faktorerna för sättet som åskådare subjektivt identifierar sig med karaktärer inom film och television (Sandler 1998, 155, Sedgwick 1993. Flera andra forskare har också visat på kopplingarna mellan mediaskildringar och patriarkala strukturer så som stereotypa könsskildringar (Torre 1990, Ashcraft & Flores 2012, Ali & Batool 2015 och maskulinitet (Oppliger 2006, Giaccardi et al 2016, Giaccardi et al 2017, Gürkan 2022.…”
Section: Performativitet Och Maskulinitetunclassified