1933
DOI: 10.1037/h0093308
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The psychophysical functions differentiating artistically superior from artistically inferior children.

Abstract: J. Introduction. Artistic capacity may be interpreted psychologically as a resultant of the early and accelerated development of certain psychophysical functions which analysis indicates to be involved in expression through art media. To determine experimentally those functions in which superior development characterizes artistically superior as opposed to artistically inferior individuals was the problem of this study. In answering this question as to the distinguishing traits of the artist's equipment, the a… Show more

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Cited by 15 publications
(7 citation statements)
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References 18 publications
(4 reference statements)
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“…Apparently at the child level there is little relationship between artistic ability and sensitivity to color harmony as measured by this test. This accords with the findings of Tiebout (7) on color sensitixnty of these same children. Using the Lewerens Color Recognition Test, she found that the averages were the same for each group.…”
supporting
confidence: 92%
“…Apparently at the child level there is little relationship between artistic ability and sensitivity to color harmony as measured by this test. This accords with the findings of Tiebout (7) on color sensitixnty of these same children. Using the Lewerens Color Recognition Test, she found that the averages were the same for each group.…”
supporting
confidence: 92%
“…Meier and his students (30,99,102,146,147), working with older groups, have described several tests of artistic ability and have used these in comparing the artistically superior and inferior. Meier (103) summarized these studies in 1Q39 and listed the factors in artistic apti-tude.…”
Section: F Individual Differences and Developmentmentioning
confidence: 99%
“…The field of this problem was restricted to school children within the age-range of five to nine years. Children of this age have been found by Tiebout (57), Grippen (22), Whorley (62), and others to be old enough to function artistically, and at the same time the responses of subjects of this age seem to be more naive and less conditioned by learned responses in the field of art.…”
mentioning
confidence: 99%