1983
DOI: 10.3828/extr.1983.24.2.170
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The Proto-Dystopia of Jerome K. Jerome

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Cited by 6 publications
(3 citation statements)
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“…To save on memory and compute resources, the data were subset in parts of the MSM estimation. The MD trajectories were first strided so that the time between each frame was 1 ns in line with previous analysis in the literature. , The cluster centers were estimated on frames separated by 10 ns, i.e., only the zeroth, 10th, etc. frames were used for estimating the cluster centers.…”
Section: Methodsmentioning
confidence: 99%
“…To save on memory and compute resources, the data were subset in parts of the MSM estimation. The MD trajectories were first strided so that the time between each frame was 1 ns in line with previous analysis in the literature. , The cluster centers were estimated on frames separated by 10 ns, i.e., only the zeroth, 10th, etc. frames were used for estimating the cluster centers.…”
Section: Methodsmentioning
confidence: 99%
“…Since the structure of Mitchell's narrative implies a mirror play between its six stories, and considering that the workings of metafiction (HUTCHEON, 1980) and autotextuality (DALLENBACH, 1979) invite a concentric reading of the text, that is, aware of its inner relationships, then it is possible to observe the presence of utopian and dystopian elements even in the stories of this novel that are not immediately related to these two literary traditions. Thus, based on theoretical reflections on intertextuality (COMPAGNON, 1996;GENETTE, 2010;JENNY, 1979;KRISTE-VA, 2005;SAMOYAULT, 2008), dystopia (BACCOLINI; MOYLAN, 2003;BEAUCHAMP, 1983;CLAEYS, 2017), utopia and utopianism (LEVITAS, 2001;SARGENT, 2014), the present paper aims at identifying and analysing the intertextual relations David Mitchell's novel establishes with utopia and dystopia; furthermore, it also aims at reflecting upon the images through which utopianism, understood as a force that prompts transformations, is explored throughout the text. KEYWORDS: Utopia; Dystopia; Intertextuality; Cloud Atlas.…”
mentioning
confidence: 99%
“…Os dígitos após o nome são certamente uma referência a um número de série, como ocorre com produtos eletrônicos, do que se depreende que a história que o/a leitor/a acompanha nessa narrativa é a da quadringentésima quinquagésima primeira Sonmi. Neste ponto, é importante ressaltar que, como destacou Gorman Beauchamp (1983), a "numenclatura", isto é, a substituição…”
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