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This article examines the above topic, first of all, in the words of Maurice O"Connor (2008), as a narrative of internal dissent: Achebe reminiscing how issues in the earlier novels and in the present state of Nigeria merge as one continuous odious history of national disorientation and distortion. It, therefore, uses the storytelling methodology Achebe employs to discuss this historiography of distortion, by examining views of the key narrators who have shared the disillusioning experiences: the horrors of violence and oppression , effecting mass poverty, disillusionment and dehumanization. We examine also why storytelling is said to be of primary importance especially vis-à-vis African literature: examining the narratives as a cultural, consciousness-raising art, especially with regard to what should be the role of women in post-colonial African narratives. In discussing this, the article bears down on Beatrice as the embodiment of what, in narrative politics, Hanggi (2012) has called sane, saving politics of love, the hope for Nigeria/Africa. Through these discourses of the chief narrators, therefore, we see how Achebe endows Beatrice with the symbol of the inherent love in Motherhood that should end the horrors of "the single story" of pre and post-colonial male power, privilege and patriarchy (
This article examines the above topic, first of all, in the words of Maurice O"Connor (2008), as a narrative of internal dissent: Achebe reminiscing how issues in the earlier novels and in the present state of Nigeria merge as one continuous odious history of national disorientation and distortion. It, therefore, uses the storytelling methodology Achebe employs to discuss this historiography of distortion, by examining views of the key narrators who have shared the disillusioning experiences: the horrors of violence and oppression , effecting mass poverty, disillusionment and dehumanization. We examine also why storytelling is said to be of primary importance especially vis-à-vis African literature: examining the narratives as a cultural, consciousness-raising art, especially with regard to what should be the role of women in post-colonial African narratives. In discussing this, the article bears down on Beatrice as the embodiment of what, in narrative politics, Hanggi (2012) has called sane, saving politics of love, the hope for Nigeria/Africa. Through these discourses of the chief narrators, therefore, we see how Achebe endows Beatrice with the symbol of the inherent love in Motherhood that should end the horrors of "the single story" of pre and post-colonial male power, privilege and patriarchy (
This study explores the possibility of foregrounding narratives and discourses from marginalized communities such as that of Native Indians. It attempts to assess the efficacy of articulating subaltern subjectivities as in Leslie Marmon Silko’s works. The article investigates the narrative and informing discourse that propels writing of Native Indian authors who engage with issues like displacement, deviance and behavioural changes in context of the colonial experience. The impact that severed relationships can have on people, the psychological trauma resulting from cultural losses and the intangible changes happening in the recesses of the mind are difficult to quantify, therefore these are conveniently dismissed in mainstream discourses. Yet, the important insights that the subjective perceptions of unquantifiable and intangible losses give is unparalleled and cannot be matched by any scientific claims that may be based on surveys and statistics interpreted within the paradigm of White Man’s discourse. Silko’s narrative offers a bridge to the other side, the possibility to transcend knowledge and information validated by the Whites and glimpse the world so far relegated and marginalized. At the same time, the present study while valuing the quasi- real or semi-fictional qualities of the narrative, the subjective experiences shared and admitting the significance of deep experiences in which the reader is invited to partake of or witness, also undertakes a lexical analysis of Silko’s Ceremony using Voyant Tool to intercept psychological and cultural concerns evoked in the text by studying the frequency of words as they appear in the narrative. The author has often referred to words that have association with land and terrain inhabited by the Natives. This triangulation in research is supposed to be enriching and supportive to the concerns of the authors who many a times use the tools, approach and instruments of West to register their protests emphatically- they use the language of the colonizer, the critical approach of the colonizer and the whole jargon of the colonizer to dismantle the edifice of colonialism. Similarly, this study operates in a way analogous to the text under study by both questioning as well using quantitative research tools to unravel dimensions that may be dear in the given context.
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