The Potential of 3D Internet in the Cultural Heritage Domain

Santos, Pedro; Serna, Sebastian Pena; Sourander, André; Fellner, Dieter W.

doi:10.1007/978-3-662-44630-0_1

Cited by 15 publications

(11 citation statements)

References 17 publications

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“…Several approaches tackled the semantic enrichment challenge of 3D models like AIM@SHAPE [29], 3D-COFORM [30], Focus K3D [31], CULTURA [32], V-MusT [33], and [34]. Some are using interactive annotations, some others are studying how to include more information in 3D model files (like X3D, VRML or others) [35], while other approaches are focusing on machine learning techniques to automatically generate these annotations [36].…”

Section: Data Enrichmentmentioning

confidence: 99%

Digitization and Preservation of Cultural Heritage Products

Belhi

Foufou

Bouras

et al. 2017

IFIP Advances in Information and Communication Technology

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Cultural heritage encompasses various aspects of a nation's history. Cultural heritage artifacts are considered as priceless items that need special care. Since the wide adoption of new digital technologies, documenting and storing cultural heritage assets became more affordable and reliable. These records are then used in several applications. Researchers saw the opportunity to use digital heritage recordings for long-term preservation. They are considering cultural heritage artifacts as products, and the history behind them as a product lifecycle. In this paper, we present the research progress in cultural heritage digital processing and preservation, highlighting the most impactful advances. Additionally, we present the CEPROQHA project which is a new approach aiming at achieving cost-effective acquisition and digital preservation for cultural heritage artifacts in Qatar.

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Section: Data Enrichmentmentioning

confidence: 99%

Digitization and Preservation of Cultural Heritage Products

Belhi

Foufou

Bouras

et al. 2017

IFIP Advances in Information and Communication Technology

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“…Some recent studies are dealing with the 4D (space-time) virtual reconstruction of Cultural Heritage objects using web-retrieved images (Kyriakaki et al, 2014;Santos et al 2014;). An approach for diachronic virtual reconstruction of lost heritage based on historical information integrated with real metric data of the remains was proposed by Guidi et al, (2011).…”

Section: Related Workmentioning

confidence: 99%

Crowdsourcing Lost Cultural Heritage

Stathopoulou

Georgopoulos

Panagiotopoulos

et al. 2015

ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci.

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ABSTRACT:Cultural Heritage all over the world is at high risk. Natural and human activities endanger the current state of monuments and sites, whereas many of them have already been destroyed especially during the last years. Preventive actions are of utmost importance for the protection of human memory and the prevention of irreplaceable. These actions may be carried out either in situ or virtually. Very often in situ preventive, or protective or restoration actions are difficult or even impossible, as e.g. in cases of earthquakes, fires or war activity. Digital preservation of cultural heritage is a challenging task within photogrammetry and computer vision communities, as efforts are taken to collect digital data, especially of the monuments that are at high risk. Visit to the field and data acquisition is not always feasible. To overcome the missing data problem, crowdsourced imagery is used to create a visual representation of lost cultural heritage objects. Such digital representations may be 2D or 3D and definitely help preserve the memory and history of the lost heritage. Sometimes they also assist studies for their reconstruction. An initiative to collect imagery data from the public and create a visual 3D representation of a recently destroyed stone bridge almost 150 years old is being discussed in this study. To this end, a crowdsourcing platform has been designed and the first images collected have been processed with the use of SfM algorithms.

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“…This process extends from 3D data acquisition to the 3D reconstruction of the artefact's virtual model. Achieving a 3D digitization of cultural heritage artifacts either stored in museums or at archeological sites offers many advantages such as [2]:…”

Section: Introductionmentioning

confidence: 99%

3D Reconstruction as a Service – Applications in Virtual Cultural Heritage

Machidon

Postelnicu

Gîrbacia

2016

Lecture Notes in Computer Science

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Abstract. As Virtual Reality (VR) expands its application range in various domains, one area that benefits more and more from VR implementation is cultural heritage. This synergy has created a new research subject: virtual cultural heritage, with specific challenges and with the key issue being to reconstruct the 3D virtual model of a real cultural artefact or item. We propose that by transcending the classic 3D reconstruction instruments to online services available remotely these newly appeared challenges can be properly addressed and the 3D reconstruction process will gain in accessibility and availability for a wider range of scientists, researchers and users. This paper presents an original implementation of such 3D reconstruction services that create virtual models based on data obtained from a 3D scanning system operating on the laser striping principle. This solution is intended to be used for digital preservation efforts of the cultural artefacts from the Brasov history museum by creating a digital archive with their 3D virtual models.

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The Potential of 3D Internet in the Cultural Heritage Domain

Cited by 15 publications

References 17 publications

Digitization and Preservation of Cultural Heritage Products

Digitization and Preservation of Cultural Heritage Products

Crowdsourcing Lost Cultural Heritage

3D Reconstruction as a Service – Applications in Virtual Cultural Heritage

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