Abstract:Is there an achievement gap for online reading ability based on income inequality that is separate from the achievement gap in traditional, offline reading? This possibility was examined between students in two pseudonymous school districts: West Town (economically advantaged) and East Town (economically challenged; N = 256). Performance‐based assessments were used within a simulation of the Internet developed as part of a larger project. Seventh graders completed two online research and comprehension assessme… Show more
“…Educators and policy-makers have begun to incorporate multimodal literacies into the curriculum for a variety of reasons, including to improve equity (Leu et al 2014) and meet the new learning needs of today's adolescents (Dalton and Proctor 2008;Leu et al 2004;Mayer 2008). Shifts in pedagogy and standards towards an expanded view of literacy have also begun to take place -sharing a view of the learner as someone who is both a critical consumer and a skillful producer of digital multimodal texts (NCTE 2013).…”
Although the shift from page to screen has dramatically redefined conceptions of writing, very little is known about how youth compose with multiple modes in digital environments. Integrating multimodality and multiliteracies theoretical frameworks, this comparative case study examined how urban twelfth-grade students collaboratively composed across three multimodal projects when responding to and analyzing literature. Data sources included screen capture and video observations, student design interviews, written reflections, and multimodal products. Findings revealed that multimodal composing was a complex, dynamic, and varied process mediated by the interaction of multiple factors. Students exhibited modal preferences when working with open and flexible digital tools -spending a majority of time working with that particular mode and relying on it to carry the communicative weight of their compositions. The development of multimodal composing timescapes for this study provided new insights into students' rapid and frequent cross-modal traversals as they worked on their digital projects.
ARTICLE HISTORY
“…Educators and policy-makers have begun to incorporate multimodal literacies into the curriculum for a variety of reasons, including to improve equity (Leu et al 2014) and meet the new learning needs of today's adolescents (Dalton and Proctor 2008;Leu et al 2004;Mayer 2008). Shifts in pedagogy and standards towards an expanded view of literacy have also begun to take place -sharing a view of the learner as someone who is both a critical consumer and a skillful producer of digital multimodal texts (NCTE 2013).…”
Although the shift from page to screen has dramatically redefined conceptions of writing, very little is known about how youth compose with multiple modes in digital environments. Integrating multimodality and multiliteracies theoretical frameworks, this comparative case study examined how urban twelfth-grade students collaboratively composed across three multimodal projects when responding to and analyzing literature. Data sources included screen capture and video observations, student design interviews, written reflections, and multimodal products. Findings revealed that multimodal composing was a complex, dynamic, and varied process mediated by the interaction of multiple factors. Students exhibited modal preferences when working with open and flexible digital tools -spending a majority of time working with that particular mode and relying on it to carry the communicative weight of their compositions. The development of multimodal composing timescapes for this study provided new insights into students' rapid and frequent cross-modal traversals as they worked on their digital projects.
ARTICLE HISTORY
“…However, digital literacy theory is an emerging area of study and continues to seek a theoretical framework and accepted body of knowledge. Leu et al (2015:2) is of the view that the "Internet is a Literacy issue". With the Internet, "literacy is not just new today; it is new every day, as additional technologies for literacy regularly and rapidly appear online" (Leu et al 2015:5).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
“…Meanwhile, they noted that students' preferred learning styles appear to influence these information processing methods. Some also inferred that there appears to be a complex relationship between digital reading and offline reading skills that are required when the reader moves from traditional reading to the hypermedia environment (Leu et al 2015;Afflerbach & Cho 2010;Hartman, Morsink & Zheng 2010;Coiro & Dobler 2007). Researchers in the field of new literacies have yet to develop firm conclusions of these assumptions about the changes that hypertext and hypermedia environments may bring to academic reading and learning, particularly in the context of EFL or second Language (L2) hypermedia reading processes.…”
Section: Theoretical Frameworkmentioning
confidence: 99%
“…Leu et al (2015), Hsieh andDwyer (2009), andDriscoll (2005) in their separate investigations into digital reading consistently revealed that L1 and L2 students with their own learning styles may process information differently in an online environment and that different online reading strategies may influence students' information processing methods. To date, these developments and future directions in hypermedia and hypertext introduces digital reading theory as an emerging area of study that continues to seek a theoretical framework and acceptable body of knowledge.…”
Section: Introductionmentioning
confidence: 99%
“…Following on, Patterson (2000:74-80) contends that this can lead to new educational practices for teachers and students, who can use hypertext in new, participative ways in the classroom. Further, Leu et al (2015) asserts hypertext reading environment creates an interaction between reader and text where the learner apparently has more control over the hypermedia reading environment whilst both the reader and the text are interacting as "active participants" in the reading process.…”
The advent of the Internet has generated new ways of reading for knowledge, suggesting that digital literacy is a necessity for students of this new era. Even so, there is still a dearth of knowledge in the field that can provide rich theoretical descriptions of online reading processes of English as a Foreign
Online reading can be seen as one of a number of new literacy practices arising from digital technologies. It can provide opportunities for readers to engage with multiple texts, multiple perspectives, and multiple literacies. The multimodal aspect of online reading as well as the multiple documents encountered when reading online can also create challenges for readers, with regards to both traditional and online literacy practices. Research continues to provide insight into strategies helpful to successfully construct meaning in this environment.
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