Oxford Scholarship Online 2018
DOI: 10.1093/oso/9780190457747.003.0010
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The Locations and Means of Literary Reading

Abstract: The means and locations of reading are becoming increasingly significant. This is not only reflected in the academic world but also in the press. This chapter addresses the question of whether the locations and means of reading have changed in the past ten years since the advent of the e-reader. Have the places and manner of reading become more flexible? Has reading “on the go” replaced traditional locations of literary reading? Is more literature being read on mobile devices or is reading on paper still prefe… Show more

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Cited by 5 publications
(13 citation statements)
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“…Although reading on laptops was frequently mentioned (see also Burke and Bon, 2017), a clear preference for print over digital format for study purposes was expressed in all six focus groups in our study. Participants' motivations ranged from convenience such as variable in-text annotation and marking ("I print everything; I need to have it physically.…”
Section: Reading In Dedicated Settings Outside Homementioning
confidence: 65%
“…Although reading on laptops was frequently mentioned (see also Burke and Bon, 2017), a clear preference for print over digital format for study purposes was expressed in all six focus groups in our study. Participants' motivations ranged from convenience such as variable in-text annotation and marking ("I print everything; I need to have it physically.…”
Section: Reading In Dedicated Settings Outside Homementioning
confidence: 65%
“…With respect to narrative, few studies center on how the reading environment affects the aesthetic experience of reading (exceptions are Allington, 2011;Burke, 2011;Burke & Bon, 2018;Fialho et al, 2011), let alone narrative absorption. Marie-Laure Ryan (2015) suggested that in location-based narratives (i.e., stories whose progression is bound to the reader's physical movements in a specific place), the presence of the referent could intensify the audience's experience, since emotional and spatial immersion are combined.…”
Section: Literature and Virtual Realitymentioning
confidence: 99%
“…A more articulated theoretical proposal has been advanced by Kuzmičová (2016), who maintains that the reading environment can be a distractor, a prop for imagery, and a VIRTUAL REALITY AS A TOOL FOR PROMOTING READING 6 locus of pleasure, possibly affecting narrative absorption. Although auditory perception may be a more effective form of environmental propping, due to the attention to the text required for reading, vision is also an important factor since readers often purposefully choose the environment in which to read (Burke & Bon, 2018). Sometimes readers also pause briefly when reading and their gaze roams around the place.…”
Section: Literature and Virtual Realitymentioning
confidence: 99%
“…While book openings may tend to require more extended and deeply focused immersion, in the immediate sense, for readers to become sufficiently interested in a particular story or attuned to an author's style (Burke, 2011;Burke and Bon, 2018), later returns need not be as demanding. That is, typical m-reading scenarios such as the daily commute may primarily be suited for situations where the reader's initial levels of interest have already been set.…”
Section: Types Of Immersionmentioning
confidence: 99%
“…The typical m-reading demographics seems to be the heavily multitasking urban professional and/or parent (Nielsen, 2015a(Nielsen, , 2015b, for whom the mobile phone is invaluable in affording brief pockets of leisure in between more mundane tasks, for example, while shopping or on public transport. In preliminary exploratory studies, some m-readers report these opportunistic reading sessions to be no less immersive or engaging than more traditional ways of fiction reading (Burke and Bon, 2018;Hupfeld et al, 2013;Kuzmičová et al, 2018).…”
Section: Introduction: the Situation Constraintmentioning
confidence: 99%