2018
DOI: 10.3390/joitmc4040051
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The Korean Wave in the Middle East: Past and Present

Abstract: The Korean Wave—otherwise known as Hallyu or Neo-Hallyu—has a particularly strong influence on the Middle East but scholarly attention has not reflected this occurrence. In this article I provide a brief history of Hallyu, noting its mix of cultural and economic characteristics, and then analyse the reception of the phenomenon in the Arab Middle East by considering fan activity on social media platforms. I then conclude by discussing the cultural, political and economic benefits of Hallyu to Korea and indeed t… Show more

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Cited by 18 publications
(11 citation statements)
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“…This social cognition valence also partly explains the extraordinary success of K-dramas in geo-cultural environments out of South Korea, which are experiencing similar although often less mature social transitions, such as many South-East Asian [62], Muslim [63], or South American [64] countries-a success that cannot be merely explained in terms of the lure of romantic daydreaming for young female audiences [65]. Such a reductive, simplistic explanation stems from an erroneous maintained equivalence between K-dramas and soap-operas [66].…”
Section: Methods II Romantic K-dramas: a Promising Research Field Fomentioning
confidence: 99%
“…This social cognition valence also partly explains the extraordinary success of K-dramas in geo-cultural environments out of South Korea, which are experiencing similar although often less mature social transitions, such as many South-East Asian [62], Muslim [63], or South American [64] countries-a success that cannot be merely explained in terms of the lure of romantic daydreaming for young female audiences [65]. Such a reductive, simplistic explanation stems from an erroneous maintained equivalence between K-dramas and soap-operas [66].…”
Section: Methods II Romantic K-dramas: a Promising Research Field Fomentioning
confidence: 99%
“…For foreign users of Korean products, for instance, whether they are students studying in Korea, tourists, or just viewers of Korean TV dramas in their home countries, they are expected to be exposed to Korean cultural heritage, in terms of both tangible (e.g., paintings and monuments) and intangible heritage (e.g., oral traditions, performing arts, and rituals) [31,32]. The influence of the Korean TV dramas Daejanggeum and Jumong in Asia and the Middle East would be cases in point [33,34]. It is in this context that cultural heritage as a variable can be differentiated from the general meaning of culture.…”
Section: Distinctive Foundation Of National Image: Cultural Heritage and Politics And Foreign Relationsmentioning
confidence: 99%
“…The 'Korean Wave' or Hallyu, is a phenomenon which refers to the current impact of the products specific to Korean popular culture (films, music, games, fashion) worldwide (Ryoo 2009;Kim 2013;Kuwahara 2014;Bok-rae 2015). The 'export' of Korean products was made first in Asian countries (Chua and Iwabuchi 2008;Yang 2012) and in the last decades it reached Europe and North America (Elaskary 2018;Jin and Yoon 2016). Hallyu's emergence and development in Eastern Europe was linked to the broadcast of Korean TV series on the main TV stations and the dissemination of K-Pop music occurred both through traditional media and on the Internet (Marinescu and Balica 2013;Marinescu 2014).…”
Section: Introductionmentioning
confidence: 99%