The ‘key to South Africa’ in the 1890s: Delagoa Bay and the origins of the South African war

Henshaw, Peter

doi:10.1080/03057079808708588

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Una Producción Diversiicada Basada En La Movilidad Y Los Mer2

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2002

2023

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Cited by 6 publications

(2 citation statements)

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“…Hay que entender también las dinámicas políticas en curso por aquel entonces en todo el África austral, y como afectaron al sur de Mozambique (cf. Henshaw, 1998;Liesegang, 1975).…”

Section: Una Producción Diversiicada Basada En La Movilidad Y Los Merunclassified

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Women and the myth of subsistence agriculture. From exporting food to food dependency in Southern Mozambique

Farré¹

2015

cea

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“…Hay que entender también las dinámicas políticas en curso por aquel entonces en todo el África austral, y como afectaron al sur de Mozambique (cf. Henshaw, 1998;Liesegang, 1975).…”

Section: Una Producción Diversiicada Basada En La Movilidad Y Los Merunclassified

“…Es verdad que la obra de Henri Junod (1962) nos ofrece muchos detalles de este inmenso proceso de cambio. " pesar del valor etnográico indudable de sus (Henshaw, 1998;Lemos, 1995).…”

Section: Una Producción Diversiicada Basada En La Movilidad Y Los Merunclassified

Women and the myth of subsistence agriculture. From exporting food to food dependency in Southern Mozambique

Farré¹

2015

cea

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Introduction: ‘the master link of connection’

McAleer

2016

Britain's Maritime Empire

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Cartoon diplomacy: visual strategies, imperial rivalries and the 1890 British Ultimatum to Portugal

2023

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This paper offers a novel interpretation of the 1890 British Ultimatum, by bringing to the front of the stage its techno-diplomatic dimension, often invisible in the canonical diplomatic and military narratives. Furthermore, we use an unconventional historical source to grasp the British–Portuguese imperial conflict over the African hinterland via the building of railways: the cartoons of the politically committed and polyvalent Portuguese artist and journalist Rafael Bordalo Pinheiro (1846–1905), published in his journal Ponto nos iis, from the end of 1889 and throughout 1890. We argue that the Ponto nos iis cartoons played a so far overlooked role in the unfolding of British–Portuguese affairs, as they shaped at a distance a diplomatic exchange with the British satirical journal Punch. Attacking and counterattacking his fellow cartoonists in Britain, Pinheiro surged into the role of informal diplomat. This cartoon visual and public diplomacy unfolded in the pages of both journals and was tied to the two countries’ colonial conquests in Africa, where the Portuguese and British empires were competing to dominate the African hinterland through large technological systems. Hence the cartoons made visible to wider audiences the otherwise hidden role that technologies played in the two countries’ affairs. In turn, the cartoons aimed at persuading the Portuguese public and ruling classes alike that only regime change, from monarchic to republican, would restore the wounded Portuguese national pride.

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The ‘key to South Africa’ in the 1890s: Delagoa Bay and the origins of the South African war

Cited by 6 publications

References 7 publications

Women and the myth of subsistence agriculture. From exporting food to food dependency in Southern Mozambique

Women and the myth of subsistence agriculture. From exporting food to food dependency in Southern Mozambique

Introduction: ‘the master link of connection’

Cartoon diplomacy: visual strategies, imperial rivalries and the 1890 British Ultimatum to Portugal

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