The installation of Prince Mangkubumi  Performing Javanese history

Bogaerts, Els

doi:10.17510/wacana.v17i3.456

Cited by 2 publications

(2 citation statements)

References 7 publications

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“…The types of script vary; it ranges from full text script to short scenario with main ideas of the scenario from which the actors improvise by themselves. Bogaerts said that "the dialogues are spoken in contemporary Javanese, and are couched in a typical vocabulary and prosody" [17]. The dialog is chosen by the screenwriter to adjust to the conditions of the community in the ketoprak performance setting.…”

Section: Ketoprak As a Source Of Character Buildingmentioning

confidence: 99%

Ketoprak, Cultural Heritage, and Character Building

Waluyo¹,

Said²,

Kurwidaria³

2019

Proceedings of the Proceedings of the 1st Seminar and Workshop on Research Design, for Education, Social Science, Arts, and Hum

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Ketoprak, as one of the traditional performing arts, is highly potential to be reactualized, reconstructed, and refunctionalized. Ketoprak always adjusts itself to the audiences' "taste" in order to preserve and inherit it to the next generation. This preserverance is important since ketoprak is closely related to character building in schools which eventually ketoprak can improve the educational quality within the schools in terms of the students' character quality; holistic, integrated, and balanced. This research aims to describe ketoprak as cultural heritage and describe the character building values within it. The method used was descriptive qualitative. In this research, the qualitative data were thoroughly and analytically described. The range of description includes the development of ketoprak as well as ketoprak as cultural heritage and character building. The findings of the research show that ketoprak is one of the cultural heritage to which perseverance has to be done, for the character building values are rich within it. Implication of this research is that there are efforts from many parties to preserve ketoprak as cultural heritage and a means of character building which are important for society.

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Section: Ketoprak As a Source Of Character Buildingmentioning

confidence: 99%

Ketoprak, Cultural Heritage, and Character Building

Waluyo¹,

Said²,

Kurwidaria³

2019

Proceedings of the Proceedings of the 1st Seminar and Workshop on Research Design, for Education, Social Science, Arts, and Hum

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“…In its development, head complement relationship pattern has shifted into Senior Junior Complement pattern. This pattern is marked by relative asymmetric status between husband and wife: they are comradein-arms, where husband takes a role as the head of family, the determinant of family status, the breadwinner, but not the one and only decision maker, while the wife takes part in the decision-making process, participate in social and public activity, but not as wage earner (Bogaerts, 2017). Senior Junior Complement relationship pattern can be seen in the relationship between R.A. Kartini and her husband.…”

Section: Literature Reviewmentioning

confidence: 99%

Gender Formation of Foster Children at Aisyiyah Female Orphanage of Tegal Municipality Based on Muhammadiyah Gender Ideology

Zaharani

Malihah²,

Komariah

2018

komunitas

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Gender, together with all problems that it brings, becomes a discourse discussed in various countries, not excluding Indonesia. The Indonesian government through its policy keeps on creating gender equality and justice. The effort of government needs supports from all society elements, including orphanage. An orphanage needs to try to minimize and omit gender stereotype because the continuation of family informal socialization occurs here and it nurtures many children at the same times. The aim of this article is to analyse and describe children formation gender role at Putri Aisyiyah orphanage, Tegal based on Muhammadiyah gender ideology, whether it still preserves or has minimized and deleted gender stereotype. This research uses qualitative approach with the phenomenology design. The data is obtained by observation, interview, and documentation. The data analysis applies Miles and Huberman models. The formation of gender role at the orphanage is shown by the followings: the formation of gender role is done to form the female children as ideal women according to the orphanage. Ideal women according to the orphanage which is already similar to Muhammadiyah’s concept of gender, are those who can take parts in public without space leaving their obligations at home as wives and mothers. Independence, discipline, leadership are imposed to the children at the orphanage to support their roles in public. Feminism and domestic skills are educated to support their roles at homes.

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The installation of Prince Mangkubumi Performing Javanese history

Cited by 2 publications

References 7 publications

Ketoprak, Cultural Heritage, and Character Building

Ketoprak, Cultural Heritage, and Character Building

Gender Formation of Foster Children at Aisyiyah Female Orphanage of Tegal Municipality Based on Muhammadiyah Gender Ideology

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