2012
DOI: 10.3233/rnn-2011-0619
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The impact of rhythm complexity on brain activation during simple singing: An event-related fMRI study

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Cited by 20 publications
(10 citation statements)
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“…That the pattern of results observed in SMG (i.e., a leftward asymmetry in task-related activity plus a leftward asymmetry in correlation strength with practice time) was not statistically different for melodic versus rhythmic discrimination is consistent with this broader view. It is also consistent with other reports of left SMG activity during the perception (e.g., Grahn et al, 2011; Janata et al, 2002; Limb et al, 2006), imagery (e.g., Zatorre et al, 1996), or overt motor production (Bengtsson and Ullén, 2006; Jungblut et al, 2012; Vuust et al, 2006) of both melodies and rhythms (cf. Ellis et al, 2012, Tables 1a and 1b).…”
Section: Discussionsupporting
confidence: 92%
“…That the pattern of results observed in SMG (i.e., a leftward asymmetry in task-related activity plus a leftward asymmetry in correlation strength with practice time) was not statistically different for melodic versus rhythmic discrimination is consistent with this broader view. It is also consistent with other reports of left SMG activity during the perception (e.g., Grahn et al, 2011; Janata et al, 2002; Limb et al, 2006), imagery (e.g., Zatorre et al, 1996), or overt motor production (Bengtsson and Ullén, 2006; Jungblut et al, 2012; Vuust et al, 2006) of both melodies and rhythms (cf. Ellis et al, 2012, Tables 1a and 1b).…”
Section: Discussionsupporting
confidence: 92%
“…Neuroimaging studies from the past two decades have confirmed that many regions within vocal motor and sensory networks are recruited during various overt speech and song tasks, including: word or letter generation (Paus et al, 1993); syllable repetition (Riecker et al, 2005); singing a note repeatedly (Perry et al, 1999), in a sustained fashion (Zarate and Zatorre, 2008), or while changing vowels in particular rhythms (Jungblut et al, 2012); repeating syllables, spoken words, and sung or hummed melodies (Özdemir et al, 2006); humming, speaking, or singing lyrics of a well-known song (Formby et al, 1989; Jeffries et al, 2003); reciting the months of the year or singing a familiar melody (Riecker et al, 2000); telling a story (Schulz et al, 2005); improvising word phrases, melodies, or harmonies (Brown et al, 2004, 2006); spontaneous and synchronized speaking and singing (Saito et al, 2006); and singing an Italian aria (Kleber et al, 2007). Summarized from the neuroimaging evidence above, a general functional network for human vocalization (including speech and song) is comprised of the brain regions reviewed in the preceding sections: M1, ACC, basal ganglia, thalamus, and cerebellum for vocal motor control; S1 and S2 for somatosensory feedback processing; bilateral auditory cortical regions (primary auditory cortex and a pitch-sensitive region within Heschl's gyrus, various portions of STG and STS) for auditory feedback processing; and the insula presumably during multimodal processing of sensory feedback.…”
Section: Sensory-motor Control Of Vocalizationmentioning
confidence: 99%
“…Using functional magnetic resonance imaging (fMRI), researchers investigated (1) isolated voluntary tongue movements, such as tongue protrusion (Arima et al, 2011), horizontal tongue movements (Riecker et al, 2000), and tongue elevation (Martin et al, 2004), and (2) tongue movements as part of speaking (Riecker et al, 2005;Sörös et al, 2006), singing (Jungblut et al, 2012;Ozdemir et al, 2006), and swallowing (Sörös et al, 2009;Lowell et al, 2012). A detailed comparison of the neural correlates of different tongue movements in all three directions has not been performed yet (but see the study by Watanabe et al (2004), comparing tongue protrusions in different directions with tongue retraction).…”
Section: Introductionmentioning
confidence: 99%