“…In the 1990s, interest in these techniques diminished, even though some important novel methods were still being proposed, such as that of Puckette (1995). More recently, distortion techniques have been used in new synthesis algorithms (Lazzarini, Timoney, and Lysaght 2008b) and for audio effects (Lazzarini, Timoney, and Lysaght 2007, 2008a, 2008c.…”