The Essential Mary Midgley

Midgley, David

doi:10.4324/9780203319635

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Cited by 36 publications

(1 citation statement)

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“…David Midgley (2005) points to a central theme in Mary Midgley's (his mother's) work, namely, there are different ways of seeing the world, which do not necessarily conflict with one another. He discusses and illustrates both the "many maps" (p. 14, p. 331) and "one aquarium, many windows" (p. 356) metaphors.…”

mentioning

confidence: 99%

The Relationship between Science and Religion: Complexity Rules the Day, and Many Windows and Maps Are Needed

Kowalski¹

2018

JRPH

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confidence: 99%

The Relationship between Science and Religion: Complexity Rules the Day, and Many Windows and Maps Are Needed

Kowalski¹

2018

JRPH

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Environment

Garrard¹

2012

The Encyclopedia of the Gothic

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The prefix “eco‐” seems to repel the word “Gothic”: it implies green, healthy, progressive, virile, and natural where the Gothic is queer and diseased, transfixed by archaic beliefs and practices, and darkly tinted like blood and bruise and tomb. Ecocriticism, or environmentalist literary criticism, once preferred Romantic epiphany to supernatural melodrama, but has now shifted its attention to the environ‐mentality of Gothic writers from Mary Shelley to Margaret Atwood. At the same time, a queer/ deconstructive turn in ecocriticism has illuminated – or, better, adumbrated – what Timothy Morton (2007) has called “dark ecology.”

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Social contracts in a changing climate: security of what and for whom?

Hayward¹,

O’Brien²

2010

Climate Change, Ethics and Human Security

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The Essential Mary Midgley

Cited by 36 publications

References 0 publications

The Relationship between Science and Religion: Complexity Rules the Day, and Many Windows and Maps Are Needed

The Relationship between Science and Religion: Complexity Rules the Day, and Many Windows and Maps Are Needed

Environment

Social contracts in a changing climate: security of what and for whom?

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