The Dynamics of Persecution in Austria, 1938–45

The Performative Power of a Problematic Public Work: Art-Interventions at Alfred Hrdlicka’sMemorial Against War and Fascismin Vienna

“…By the presence of his own body, Cohen's representation points to the continuation of Jewish degradation, which did not stop with the end of the war. It is still necessary to confront how survivors were treated on their return or in exile after 1945, 45 especially in terms of (the rather late) restitution 46 and the inadequate representation of their humiliation.…”