The Performative Power of a Problematic Public Work: Art-Interventions at Alfred Hrdlicka’s<i>Memorial Against War and Fascism</i>in Vienna

Schult, Tanja

doi:10.1080/21502552.2018.1500229

Public Art Dialogue

2018

DOI: 10.1080/21502552.2018.1500229

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The Performative Power of a Problematic Public Work: Art-Interventions at Alfred Hrdlicka’sMemorial Against War and Fascismin Vienna

Tanja Schult

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Cited by 3 publications

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“…On the other hand, not all monuments are fixed points: "[…] their meanings and interpretations can and do change over time in response to political and cultural shifts" 74 . The more recent memorial against war and fascism (Mahnmal gegen Krieg und Faschismus, 1988) on Albertinaplatz, is a discrete and relatively invisible sculpture of a Jewish man on his knees washing the street and which, although "out of tune with an established cultural memory, […] continues to occupy public space" 75 . A profound…”

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confidence: 99%

The War That Never Came: Creating, Transmitting and Maintaining Handed-Down Memories of the Emergency in Ireland. Acknowledging Family Recollections of WWII

Gormally¹

2021

etudesirlandaises

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Within the context of WWII, this essay explores the notion of national and personal conflict within individuals and communities in Ireland, part of which had undergone the severing of imperial connections and the attainment of national independence less than a full generation before. In Ireland, the conflict of war on a wider stage impinged upon an inner conflict closer to the heart. To go or not to go… to war. The question was raised to remain behind and serve a / the cause by maintaining a "home guard" alertness. This essay attempts to examine the fuzziness of transmitted handed-down memory which is far from being as clear and precise as "official" history. War memorials suggest an alternative conclusion and an alternative sense of historical order -intellectual and ideological. At the core of this paper are the memories of Martin Jarlath Gormally, the author's father. His grandchildren and great-grandchildren live in Ireland, France, the United Kingdom, and Austria. For comparison / contrast, brief reference is made to WWII in France and to de-Nazification in Austria.

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confidence: 99%

The War That Never Came: Creating, Transmitting and Maintaining Handed-Down Memories of the Emergency in Ireland. Acknowledging Family Recollections of WWII

Gormally¹

2021

etudesirlandaises

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‘I see their hatred’. Ethics of witnessing and The Missing Image – an intervention in Austria’s Holocaust memory space

Popescu

2020

Journal of Visual Art Practice

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Infelicitous Efficacy: Alfred Hrdlicka’s Memorial against War and Fascism

Schult¹,

Popescu²

2017

articulo

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The Performative Power of a Problematic Public Work: Art-Interventions at Alfred Hrdlicka’sMemorial Against War and Fascismin Vienna

Cited by 3 publications

References 11 publications

The War That Never Came: Creating, Transmitting and Maintaining Handed-Down Memories of the Emergency in Ireland. Acknowledging Family Recollections of WWII

The War That Never Came: Creating, Transmitting and Maintaining Handed-Down Memories of the Emergency in Ireland. Acknowledging Family Recollections of WWII

‘I see their hatred’. Ethics of witnessing and The Missing Image – an intervention in Austria’s Holocaust memory space

Infelicitous Efficacy: Alfred Hrdlicka’s Memorial against War and Fascism

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