2012
DOI: 10.1016/j.indmarman.2011.06.016
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The drama of interaction within business networks

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Cited by 18 publications
(14 citation statements)
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“…More recently, Lowe et al (2012) have also used a dramaturgical approach to the description of interaction within the ARA interaction model, by describing character roles of actors (related to actors), their use of props (related to resources), and specific types of role playing (related to activities). Their account of interaction as drama vividly shows the multi-faceted and complex social, emotional and cognitive nature of interaction in business relationships, which can be, in turn, linked to different types of embeddedness (structural, cognitive, etc.…”
Section: The Ara Interaction Modelmentioning
confidence: 99%
“…More recently, Lowe et al (2012) have also used a dramaturgical approach to the description of interaction within the ARA interaction model, by describing character roles of actors (related to actors), their use of props (related to resources), and specific types of role playing (related to activities). Their account of interaction as drama vividly shows the multi-faceted and complex social, emotional and cognitive nature of interaction in business relationships, which can be, in turn, linked to different types of embeddedness (structural, cognitive, etc.…”
Section: The Ara Interaction Modelmentioning
confidence: 99%
“…In B2B research, Ford and Håkansson (2006) have discussed the importance of "theoretical metaphors" or stereotypes such as "markets" or "supply chains" in forming actors' subjective interpretations of networks, interactions and relationships. Following on from the use of "atmospheres" and "episodes" in the prior model, metaphors such as marriage (Dwyer et al, 1987;Johnston and Hausman, 2006;Stoltman and Morgan, 2002;Celuch et al, 2006), maps and pictures (Geiger and Finch, 2010;Lowe et al, 2012aLowe et al, , 2012b, drama (Lowe et al, 2012a(Lowe et al, , 2012b, dance (Wilkinson and Young, 1994;Wilkinson et al, 1998), waves as relationship dynamics (Edvardsson et al, 2014), neurological networks (Cunningham, 2007) and network "pictures" (Ford et al, 2003;Ford and Redwood, 2005;Mouzas et al, 2008;Henneberg et al, 2010) have been tropal representations recognized and adopted, with varying degrees of "uptake" by the group or parts thereof, over time.…”
Section: Tropes and Narratives In Industrial Marketing Researchmentioning
confidence: 99%
“…Put another way, if Bourdieu provides a description of experience in the theatres of practice, Goffman provides a description of its performances. In Goffman's (1974) terms, the actor's performativity involves displaying a recognizable character as an appropriate identity (Lowe et al, 2012), requiring displays of alignment with culturally scripted roles / stereotypes and activities or framing of action. Actors must perform within tolerances prescribed by their code-framed, scripted roles as configured by cultural expectations about their gender, age, class, status and power (Tannen, 1994).…”
Section: Contributions Of Bourdieu and Goffmanmentioning
confidence: 99%