2013
DOI: 10.1016/j.culher.2012.10.024
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The church of Saint Martin (Trujillo, Spain): Study of the stone degradation

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Cited by 6 publications
(3 citation statements)
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“…Additionally, aesthetic, mineralogical, physical, and mechanical characterization should be considered to assess overall performance. Material compatibility and workability should also be taken into account (Duffy et al, 1993;Arroyo et al, 2013;Türkeri, 2022;Dal et al, 2016).…”
Section: Discussionmentioning
confidence: 99%
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“…Additionally, aesthetic, mineralogical, physical, and mechanical characterization should be considered to assess overall performance. Material compatibility and workability should also be taken into account (Duffy et al, 1993;Arroyo et al, 2013;Türkeri, 2022;Dal et al, 2016).…”
Section: Discussionmentioning
confidence: 99%
“…Another cause of damage to facades is faulty repairs. Duffy et al, (1993) and Arroyo et al, (2013) determined in their studies that the composition of the mortars used in the previous repairs in the buildings was rich in sulfate and this material caused the stones to deteriorate. Specifically, in the studies conducted in Mardin Province in Turkey, it is reported that the damages on the facades are mostly caused by faulty repairs caused by water and cement acting heavily on the stone (Dal & Öcal, 2017).…”
Section: Introductionmentioning
confidence: 99%
“…Além disso, quando na superfície rochosa podem reagir com materiais do ambiente externo, como as substâncias de plantas, o que justifica a diversidade na sua composição química. [9][10][11] Técnicas espectroscópicas têm sido utilizadas para caracterização química de eflorescências salinas, sobretudo em obras de arte e empregam a Microscopia Eletrônica de Varredura acoplada à Espectroscopia de Energia Dispersiva (MEV/EDS), 12-14 a Difração de Raios X (DRX) 15,16 e a espectroscopia vibracional, 17 além da análise térmica (DSC/TGA/DTA). 18,19 O uso dessas técnicas analíticas para a caracterização das eflorescências salinas direciona os restauradores e/ou conservadores a proporem procedimentos de intervenção a ser executados seja em obras de artes ou pinturas rupestres para garantir que tais patrimônios culturais cheguem a gerações futuras.…”
Section: Introductionunclassified