Abstract:As China becomes a major player in the global economy, Europeans also have begun to encounter Chinese transnationals as a new, relatively unknown urban population and to incorporate them into expressive discourses such as cinema and mass media. Representation of/response to this new social reality, in turn, has raised questions in contemporary European cinema as we see in three recent films -Gomorra(h) (Matteo Garrone, 2008, Italy), Biutiful (Alejandro González Iñárritu, 2010, Spain, Mexico), and Mauvais Joue… Show more
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