2016
DOI: 10.1484/j.jiaaa.4.2017007
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The Akchakhan-kala Wall Paintings: New Perspectives on Kingship and Religion in Ancient Chorasmia

Abstract: and stanislav khashiMov 1 "The world is at peace on the walls of Persepolis as it never was in reality.While news of the Persian sack of Miletus was striking terror in the Athenian soul, artisans from near and far were carving dreams in stone for Darius." (Cool Root 1979:311)

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Cited by 20 publications
(15 citation statements)
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References 46 publications
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“…One of the earliest and most vivid examples of this imagery in Central Asia was recovered in 2014 by the Karakalpak-Australian Expedition in the form of a wall paintings in the royal contexts of Akchakhan-kala, depicting a characteristic motif of two opposing human-headed roosters in the middle of performing a Zoroastrian ritual ( rst century BC -rst century AD 38 ). The image is the earliest representation of gures from the Avestan pantheon, and has led some scholars to suggest stronger Central Asian roots in the origins of the rooster-worshiping cult 4,38 . The hybrid bird-priest motif represents an assistant of Sraosha and is said to be a rooster that can predict the coming of dawn, waking up the religious practitioners to ful l their duties (Vendīdād XVIII, 14-15 and 22-23 6 ).…”
Section: Discussionmentioning
confidence: 99%
“…One of the earliest and most vivid examples of this imagery in Central Asia was recovered in 2014 by the Karakalpak-Australian Expedition in the form of a wall paintings in the royal contexts of Akchakhan-kala, depicting a characteristic motif of two opposing human-headed roosters in the middle of performing a Zoroastrian ritual ( rst century BC -rst century AD 38 ). The image is the earliest representation of gures from the Avestan pantheon, and has led some scholars to suggest stronger Central Asian roots in the origins of the rooster-worshiping cult 4,38 . The hybrid bird-priest motif represents an assistant of Sraosha and is said to be a rooster that can predict the coming of dawn, waking up the religious practitioners to ful l their duties (Vendīdād XVIII, 14-15 and 22-23 6 ).…”
Section: Discussionmentioning
confidence: 99%
“…This scenario indeed aligns nicely with Miller and colleagues’ points (citing Esther Boserup, 2016: 6–7) about how agricultural technologies may be known to people long before they are adopted across a society (see also Boivin et al, 2012: 455–456; Van der Veen, 2010). It also provides a clearer antecedent to the later bifurcation of elite and rural agropastoral lifeways that have been observed in this and other Central Asian desert oases in the first millennium BC and first millennium AD (Markofsky et al, 2016: 17; Rouse and Cerasetti, 2016: 11–12), and helps to explain how a class of nomadic elites could have evolved from an oasis context like Khorezm (Betts et al, in press; Kidd et al, 2012; Lamberg-Karlovsky, 1994). Starting from a diverse production base, Khorezmian statecraft would have evolved as emerging elites gained prestige in organizing their communities to respond to environmental change.…”
Section: Discussionmentioning
confidence: 83%
“…The Antique Khorezmian qalas , the fortified mudbrick enclosures that represented elite power, were not built for year round, permanent use (Honeychurch and Amartuvshin, 2007; Khozhaniyazov, 2006; Negus Cleary, 2008, 2013; Rogers et al, 2005). Monumental visual art within these structures shows that those who declared themselves ‘kings’ proclaimed a syncretic view of rulership, which drew its legitimacy in part from the steppe nomadic world (Betts et al, in press; Kidd, 2011, 2012; Kidd and Betts, 2010; Kidd and Brite, 2015; Kidd et al, 2008, 2012; Yagodin et al, 2010). The small scale of storage, found only in domestic contexts inside the qalas , suggests there were no large storage facilities on par with other agricultural states (Manzanilla and Rothman, 2016; Paulette, 2016) and that Khorezmian elites did not derive their wealth and status from surplus accumulation (for examples of Khorezmian storage, see Kolyakov, 1991: 110–123; Mambetullaev, 1978: 83–87).…”
Section: The Khorezm Oasismentioning
confidence: 99%
“…88-Minardi 2015, 127; on the archaeology of the site, see Betts et al 2012, 125-126 with further references. 89-On the paintings see Kidd et al 2004;Betts et al 2012. 90-Grenet 2018.…”
Section: The Wall Paintings Of Akchakhan-kalamentioning
confidence: 99%