Textuality in 3D: three-dimensional (re)constructions as digital scholarly editions

Schreibman, Susan; Papadopoulos, Costas

doi:10.1007/s42803-019-00024-6

Cited by 11 publications

(6 citation statements)

References 18 publications

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“…The photogrammetric model itself is used as a base in these cases as opposed to being limited to only a visualisation element. As 3D data and publishing become more integrated and complex (see [30]) so too do the possibilities for combining techniques that have traditionally not been considered complementary. (Bruker's Yellow filter) provided a good count rate for the elements of interest.…”

Section: Discussionmentioning

confidence: 99%

XRF and 3D Modelling on a Composite Etruscan Helmet

et al. 2021

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The presentation of X-ray fluorescence data (XRF) assays is commonly restricted to tables or graphical representations. While the latter may sometimes be in a 3D format, they have yet to incorporate the actual objects they are from. The presentation of multiple XRF assays on a 3D model allows for more accessible presentation of data, particularly for composite objects, and aids in their interpretation. We present a method to display and interpolate assay data on 3D models using the PyVista Python package. This creates a texture of the object that displays the relative differences in elemental composition. A crested helmet from Tomb 1036 from the Casale del Fosso necropolis, Veii, Italy, is used to exemplify this method. The results of the analysis are presented and show variation in composition across the helmet, which also corresponds with macroscopic and decorrelation stretching analyses.

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Section: Discussionmentioning

confidence: 99%

XRF and 3D Modelling on a Composite Etruscan Helmet

et al. 2021

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“…For example, the integration of 3D models and scholarly-edited text was reported by Leoni et al (2015). Schreibman and Papadopoulos (2019) explained the need for 3D models used to recreate past events to have a certain reliability, much like a digital scholarly edition of texts.…”

Section: What Is a 3d Scholarly Edition?mentioning

confidence: 99%

3d Scholarly Editions for Byzantine Studies: Multimedia Visual Representations for History, Art History and Architectural History

Higuchi

Murata

2023

ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci.

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Abstract. The Byzantine Empire has bequeathed to us a rich legacy of Christian churches, many of which possess historical and cultural significance. Unfortunately, the majority of these structures are currently undergoing a process of decay, having not received adequate preservation efforts. Moreover, the absence of collaboration between researchers in the various fields, each with their own focus on the study of Byzantine churches, presents a pressing need for dialogue and a collective response from these researchers. The region of Laconia, located in the south of Greece, is particularly in need of immediate attention, given the abundance of churches located therein. To address these challenges, the authors propose a novel approach involving the documentation of these churches in a digital format through the presentation of 3D models as scholarly editions that incorporate all available data sets in a multimedia format. This paper delineates several requisite specifications for 3D scholarly editions, which hold the key to solving the twin problems faced by Byzantine churches, namely, their protection and the scarcity of interdisciplinary collaboration amongst researchers. With 3D scholarly editions based on multimedia resources and adequate information management, it will be possible to facilitate collaboration and research between various fields of Byzantine studies, and beyond. Such efforts will serve to ensure that cultural heritage passed down from previous generations will be transmitted to future ones.

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“…So far, neither academic nor institutional mechanisms make digital 3D models scientifically linkable and discussable. An adjacent discourse is currently about the definition of "scientific 3D reconstructions" and 3D scholarly editions [687] to define requirements for 3D models in scholarly contexts.…”

Section: Organizational Perspectives On 3d Modellingmentioning

confidence: 99%

Digital 3D Technologies for Humanities Research and Education: An Overview

Münster¹

2022

Applied Sciences

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Digital 3D modelling and visualization technologies have been widely applied to support research in the humanities since the 1980s. Since technological backgrounds, project opportunities, and methodological considerations for application are widely discussed in the literature, one of the next tasks is to validate these techniques within a wider scientific community and establish them in the culture of academic disciplines. This article resulted from a postdoctoral thesis and is intended to provide a comprehensive overview on the use of digital 3D technologies in the humanities with regards to (1) scenarios, user communities, and epistemic challenges; (2) technologies, UX design, and workflows; and (3) framework conditions as legislation, infrastructures, and teaching programs. Although the results are of relevance for 3D modelling in all humanities disciplines, the focus of our studies is on modelling of past architectural and cultural landscape objects via interpretative 3D reconstruction methods.

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Textuality in 3D: three-dimensional (re)constructions as digital scholarly editions

Cited by 11 publications

References 18 publications

XRF and 3D Modelling on a Composite Etruscan Helmet

XRF and 3D Modelling on a Composite Etruscan Helmet

3d Scholarly Editions for Byzantine Studies: Multimedia Visual Representations for History, Art History and Architectural History

Digital 3D Technologies for Humanities Research and Education: An Overview

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