2020
DOI: 10.1037/aca0000244
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Testing conditions and creative performance: Meta-analyses of the impact of time limits and instructions.

Abstract: This study attempts to clarify the effects of varying testing conditions on creative performance in divergent thinking and product-based tasks. Two meta-analyses, one for time limits (short vs. long) and one for instructions (standard vs. explicit), were conducted.Moderator analyses were performed to examine whether the effects of time limits and instructions differ by measurement method, domain of creative performance, gender, study's country of origin, educational level, study quality, and scoring method of … Show more

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Cited by 93 publications
(94 citation statements)
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References 120 publications
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“…Although the ATTA is widely used and is based on the venerable Torrance Tests of Creative Thinking (Torrance, 2008), its markers of originality are strongly affected by fluency (Silvia et al, 2008), often correlating close to .90 in large samples. Studying ways of separating quantity (fluency) and quality (creativity) has been a major part of the past decade in creativity assessment, such as changing the task instructions to emphasize quality (Said-Metwaly et al, 2019), having judges provide subjective ratings of the responses (Benedek, Mühlmann, Jauk, & Neubauer, 2013;Silvia et al, 2008), and using automated methods to evaluate the semantic distance of the responses (Green, 2016;Hass, 2017;Kenett, 2019).…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…Although the ATTA is widely used and is based on the venerable Torrance Tests of Creative Thinking (Torrance, 2008), its markers of originality are strongly affected by fluency (Silvia et al, 2008), often correlating close to .90 in large samples. Studying ways of separating quantity (fluency) and quality (creativity) has been a major part of the past decade in creativity assessment, such as changing the task instructions to emphasize quality (Said-Metwaly et al, 2019), having judges provide subjective ratings of the responses (Benedek, Mühlmann, Jauk, & Neubauer, 2013;Silvia et al, 2008), and using automated methods to evaluate the semantic distance of the responses (Green, 2016;Hass, 2017;Kenett, 2019).…”
Section: Discussionmentioning
confidence: 99%
“…Figural activities present incomplete figures, and participants are asked to generate drawings incorporating the figures. In all three activities participants are instructed to "be creative"(Nusbaum, Silvia, & Beaty, 2014;Said-Metwaly, Fernández-Castilla, Kyndt, & Van den Noortgate, 2019). Responses are scored for fluency (i.e.,…”
mentioning
confidence: 99%
“…Figural activities present incomplete figures, and participants are asked to generate drawings incorporating the figures. In all three activities participants are instructed to "be creative" (Nusbaum, Silvia, & Beaty, 2014;Said-Metwaly, Fernández-Castilla, Kyndt, & Van den Noortgate, 2019). Responses are scored for fluency (i.e., the number of generated responses and drawings), and originality (i.e., how novel or original responses are compared to a large pool of normative responses).…”
Section: Divergent Thinkingmentioning
confidence: 99%
“…It is also possible that 200 mg is not a sufficient dose to impact idea generation during divergent thinking, but higher amounts (e.g., 400 mg) would result in reduced idea generation abilities.Although the ATTA is widely used and is based on the venerable Torrance Tests of Creative Thinking(Torrance, 2008), its markers of originality are strongly affected by fluency(Silvia et al, 2008), often correlating close to .90 in large samples. Studying ways of separating quantity (fluency) and quality (creativity) has been a major part of the past decade in creativity assessment, such as changing the task instructions to emphasize quality(Said-Metwaly et al, 2019), having judges provide subjective ratings of the responses…”
mentioning
confidence: 99%
“…For the "Shapes" trials, participants were told to identify common shapes in the incomplete figure (e.g., rectangles). For the "Imagine" trials, participants were told to "be creative" and imagine a novel creative label for the incomplete figure (Nusbaum, Silvia, & Beaty, 2014;Said-Metwaly, Fernández-Castilla, Kyndt, & Van den Noortgate, 2019). Participants were told that they could "mentally manipulate" (e.g., rotate, elaborate, expand on) the incomplete figure when generating labels.…”
Section: Conceptual Interference During Imagery Generaton 11mentioning
confidence: 99%