2017
DOI: 10.1086/692299
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Teaching to Dismantle White Supremacy in Archives

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Cited by 34 publications
(21 citation statements)
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“…Critical archival practices include ways to identify and dismantle white supremacy around description, appraisal, access or use, education, and professional life [33]. Other priorities involve including voices and stories of marginalized populations in archives, increasing accessibility of archival materials, deconstructing colonial archival terms (e.g., “collections” and “ownership”), rewriting offensive or racist description from the past, accessing digital cultural heritage materials according to cultural norms and instructions [34–36], and using a feminist ethic of radical empathy in archives or “a willingness to be affected, to be shaped by another’s experience, without blurring the lines between the self and the other” [37].…”
Section: How Can Health Sciences Libraries Apply Critical Librarianshmentioning
confidence: 99%
“…Critical archival practices include ways to identify and dismantle white supremacy around description, appraisal, access or use, education, and professional life [33]. Other priorities involve including voices and stories of marginalized populations in archives, increasing accessibility of archival materials, deconstructing colonial archival terms (e.g., “collections” and “ownership”), rewriting offensive or racist description from the past, accessing digital cultural heritage materials according to cultural norms and instructions [34–36], and using a feminist ethic of radical empathy in archives or “a willingness to be affected, to be shaped by another’s experience, without blurring the lines between the self and the other” [37].…”
Section: How Can Health Sciences Libraries Apply Critical Librarianshmentioning
confidence: 99%
“…A variety of subdisciplines are also working to advance justice and decolonization, including critical information literacy (Saunders, 2017;Hathcock, 2017;Tewell, 2017; radical cataloging (Drabinski, 2013;Billey, Drabinski & Roberto, 2014;Dudley, 2017;Farnel et al, 2017), and activist and community-based archives (Caswell, 2017;Drake, 2017;Joseph, Crowe, & Mackey, 2017;Rolan, 2017; University of North Carolina at Chapel Hill, n.d.), and user experience (Harihareswara, 2015). In addressing questions of racialized power within libraries, Hudson (2017) argues that "to be included in a space is not necessarily to have agency within that space."…”
Section: Seeking Justice Through Participatory Designmentioning
confidence: 99%
“…The following sections will provide concrete examples of efforts to decolonize postcustodial practices based on the experiences of the HRDI and IDEP. These examples will be examined through the lens of contributive justice and will extend the applicability of Caswell's (2017) that global south institutions possess deep expertise to contribute and that any collaborative project would fail without them at the forefront.…”
Section: Contributive Justice and The Global Southmentioning
confidence: 99%
“…This article aims to contribute to critical archival studies discourse in two ways: 1) by introducing the concept of contributive justice to postcustodial praxis in order to situate postcustodial praxis within an explicitly social justice framework for 'the ultimate goal of transforming archival practice and society writ large' (Caswell, Punzalan, and Sangwand 2017: 2;Gomberg 2007); and 2) by using the concept of contributive justice to build upon Michelle Caswell's (2017) suggestions for dismantling white supremacy in US archives and expand upon their application in a transnational context in order to decolonize postcustodial collaborations between global north and south institutions. 2,3 I will apply contributive justice to postcustodial archival praxis and frame Caswell's suggestions in a transnational context by drawing upon my experiences leading transnational postcustodial collaborations in Rwanda and Central America for the Human Rights Documentation Initiative (HRDI) at the University of Texas at Austin (UT Austin) and in Cuba for the International Digital Ephemera Project (IDEP) at the University of California, Los Angeles (UCLA).…”
Section: Introductionmentioning
confidence: 99%