“…The features used to direct attention can be based on spatial attributes of the sound (e.g., Ahveninen et al, 2006;Banerjee, Snyder, Molholm, & Foxe, 2011;Ihlefeld & Shinn-Cunningham, 2008;Kidd, Arbogast, Mason, & Gallun, 2005;Ruggles & Shinn-Cunningham, 2011) or on spectrotemporal source attributes, such as timbre, pitch, or level (e.g., Brungart, Simpson, Ericson, & Scott, 2001;Culling, Hodder, & Toh, 2003;Darwin, Brungart, & Simpson, 2003;Devergie, Grimault, Tillmann, & Berthommier, 2010;Greenberg & Larkin, 1968;Jones, Kidd, & Wetzel, 1981;Kitterick, Clarke, O'Shea, Seymour, & Summerfield, 2013;Maddox & Shinn-Cunningham, 2012;Scharf, Quigley, Aoki, Peachey, & Reeves, 1987;Varghese, Ozmeral, Best, & Shinn-Cunningham, 2012;Wright & Fitzgerald, 2004). Depending on exactly how a listener focuses attention, different cortical control networks are engaged.…”