2017
DOI: 10.1007/978-3-319-51662-2_2
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Auditory Object Formation and Selection

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Cited by 53 publications
(40 citation statements)
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References 156 publications
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“…Their greater difficulty to synchronize to the beat of musical excerpts compared to the performance with the metronome is in line with results found in adults (Sowiński & Dalla Bella 2013;Dalla Bella et al 2017a) and NH children populations (Puyjarinet et al 2017). Specifically for children with HL, this difficulty could be partly due to the greater demands in terms of auditory scene analysis which heavily involves spectral analysis to elaborate and select objects in a complex auditory environment (Oxenham 2008;Shinn-Cunningham et al 2017).…”
Section: Congenitally Deaf Children Have Poor Sensorimotor Synchronizsupporting
confidence: 79%
“…Their greater difficulty to synchronize to the beat of musical excerpts compared to the performance with the metronome is in line with results found in adults (Sowiński & Dalla Bella 2013;Dalla Bella et al 2017a) and NH children populations (Puyjarinet et al 2017). Specifically for children with HL, this difficulty could be partly due to the greater demands in terms of auditory scene analysis which heavily involves spectral analysis to elaborate and select objects in a complex auditory environment (Oxenham 2008;Shinn-Cunningham et al 2017).…”
Section: Congenitally Deaf Children Have Poor Sensorimotor Synchronizsupporting
confidence: 79%
“…Theoretically, both segregation and grouping are important processes for cocktail-447 party listening as they lend support to the formation and selection of perceptual objects in 448 the auditory scene (for a recent review, see Shinn- Cunningham et al, 2017). However, GPR 449 and VTL might contribute differently to these processes.…”
Section: A Different Roles Of Vtl and Gpr For Grouping And Segregatimentioning
confidence: 99%
“…Binding stimulus features from a common source is not a unique problem across sensory modalities-within a modality, independently encoded perceptual features (e.g., color, shape and orientation in vision; pitch, timbre, and spatial cues in audition) must also be combined to form a single perceptual object. These perceptual objects are the "units" on which attention operates, both in vision (Desimone and Duncan 1995) and audition (Shinn-Cunningham et al 2017). Given that there is a central limitation in the amount of information the brain can process, attention helps to determine what object(s) the brain analyzes in order to make sense of a complex scene.…”
Section: Object-based Attentionmentioning
confidence: 99%
“…2.1.2) that contribute to how objects are formed. Nevertheless, it is generally accepted that visual and auditory attention operates on objects (Desimone and Duncan 1995;Shinn-Cunningham et al 2017).…”
Section: Visual Auditory and Audiovisual Objectsmentioning
confidence: 99%