2017
DOI: 10.1080/0267257x.2016.1271346
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Tales of seduction and intrigue: design as narrative agent of brand revitalisation

Abstract: This document is the author's post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it.

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Cited by 6 publications
(5 citation statements)
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References 55 publications
(38 reference statements)
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“…The latter, in contrast, recognises brand obsolescence and uses it as a starting point for planning and deploying a rejuvenation strategy (Ewing et al, 2009;Keller et al, 2020;Miller et al, 2014;Orth et al, 2019). It should be highlighted that both alternatives intend to ensure the brand continues to satisfy consumer needs within its competitive environment (Dinnie, 2008;Romaniuk et al, 2007) by empowering or reversing the ageing phenomenon (Lu et al, 2019;Wilner and Ghassan, 2017).…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…The latter, in contrast, recognises brand obsolescence and uses it as a starting point for planning and deploying a rejuvenation strategy (Ewing et al, 2009;Keller et al, 2020;Miller et al, 2014;Orth et al, 2019). It should be highlighted that both alternatives intend to ensure the brand continues to satisfy consumer needs within its competitive environment (Dinnie, 2008;Romaniuk et al, 2007) by empowering or reversing the ageing phenomenon (Lu et al, 2019;Wilner and Ghassan, 2017).…”
Section: Discussionmentioning
confidence: 99%
“…Brand reinforcement, on the other hand, aims to potentiate brands using different drivers to enhance brand equity performance (Pina and Dias, 2021;Pontes and Pontes, 2021;Yuen et al, 2021). Within this framework, retrobranding and brand rejuvenation emerge as two opposing options that can be explored with the intent of empowering or reversing ageing or Analysis from a Latin American perspective obsolescence and that seek to make old and mature brands energetic and powerful again (Lu et al, 2019;Wilner and Ghassan, 2017).…”
Section: Brand Ageingmentioning
confidence: 99%
“…By incorporating artefacts/icons in the city VI makes the communication more tangible, truthful and authentic in connection with the citizens’ daily life (Wilner and Ghassan, 2017).…”
Section: Design Shapes and Tools For Visual Identitiesmentioning
confidence: 99%
“…However, the way design is positioned in marketing is still too often one of 'seducing' people into behaviour that may not contribute to their well-being in the longer term. Wilner and Ghassan (2017), for example, discuss a case in which a chocolate bar was redesigned, arguably to discourage excessive consumption in response to increasing obesity rates. However, as noted by the authors, while this redesign was successful in economic terms, ultimately it can be questioned from a sociocultural point of view since the 'new' chocolate bar contained the same calories as before even though they were split across two smaller bars.…”
Section: Design's Influence On Outcomesmentioning
confidence: 99%
“…In regard to marketing, design as process research has already offered insights into new methods of product innovation (Verganti, 2009; see also Tabeau et al, 2017), leveraging cultural insights for brand meaning (Wilner & Huff, 2017), addressing wicked branding problems (Beverland et al, 2015;Wilner & Ghassan, 2017) and enhancing interfunctional coordination with NPD (Beverland et al, 2016). Research should of course build on these domains but also address other enduring challenges facing the marketing organisation.…”
Section: Design Processmentioning
confidence: 99%