In this paper, we use the multi-dimensional model of power to interrogate arts and mental health community based projects. Using data retrospectively gathered during a series of participative evaluations, we re-analyse the data focusing on the ways in which power is located and negotiated across levels of analysis and multiple ecological domains. Evidence from the evaluations is richly presented illustrating power at the micro, meso and macro level. Whilst the model offers a rich reading of power, it is difficult to operationalize historically. Moreover, the static nature of the model fails to adequately capture the multiplicity of sometimes polar positions adopted. Engaging in a particular framework of community psychology, we argue that this project may be seen as part of a wider prefigurative action research agenda. Copyright # 2007 John Wiley & Sons, Ltd.Key words: arts; mental health; evaluation; prefigurative action research; power
SETTING THE SCENECommunity psychological approaches to research are underpinned by an implicit value base of participatory empowerment. Whilst there are different practices and cultural variations around defining community psychology, there does seem to be agreement over the notion of working participatively around empowerment. However, in articulating notions of empowerment there is a danger of uncritical use whereby empowerment becomes a 'social aerosol' term (Brandon, 2005) used widely to connote participation but with little unpacking of what it means. Using models developed by Prilleltensky (in press) and modified by Christens and Perkins (in press), we take a rich project and re-analyse the data using an explicit focus on the ways in which power underpins relationships.
THE RESEARCH CONTEXTAs academics, we practise community psychology alongside community partners, using what we have described as a prefigurative action research process (Kagan & Burton, 2000).