SVM-Based Classification Method for Poetry Style

He, Zhongshi; Liang, Wen-Ting; Li, Liangyan; Tian, Yu-Fang

doi:10.1109/icmlc.2007.4370650

Cited by 13 publications

(7 citation statements)

References 2 publications

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“…Literary Pieces, lyrics and unsolicited bulk mails [27] can be mined for views/ feelings/emotions. Liu [1,3,9,11,16,17,22,23,25], Naïve Bayes (NB) [1,3,4,17,19,23], K-Nearest Neighbor (KNN) [14,23,26], Maximum Entropy (ME) [3], Winnow Classifier [21] and Centroid [21] were experimented by different research on different kinds of dataset.…”

Section: Literature Surveymentioning

confidence: 99%

“…Support Vector Machine (SVM) based method is used to differentiate bold-and-unconstrained style from graceful-andrestrained style of poetry as presented in He Z.S. [25]. In this work, a piece of poetry is expressed using Vector Space Model (VSM) first, and then information gain is used to select the poetry's feature terms.…”

Section: Formal Text Corpusmentioning

confidence: 99%

“…[17] In terms of precision, hyperpipes>VFI>NB>SVM He Z.S. [25] Each poetry is represented with vector space models.…”

Section: Analysis Of Formal and Informal Writing Stylesmentioning

confidence: 99%

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Emotion Detection and Sentiment Analysis in Text Corpus: A Differential Study with Informal and Formal Writing Styles

Kaur¹,

Saini²

2014

IJCA

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Section: Literature Surveymentioning

confidence: 99%

Section: Formal Text Corpusmentioning

confidence: 99%

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Emotion Detection and Sentiment Analysis in Text Corpus: A Differential Study with Informal and Formal Writing Styles

Kaur¹,

Saini²

2014

IJCA

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“…1 Background NLP for poetry NLP for poetry has mainly focused on stylistic analysis (Hayward 1996;Kaplan and Blei 2007;He et al 2007;Fang, Lo, and Chinn 2009;Greene, Bodrumlu, and Knight 2010;Genzel, Uszkoreit, and Och 2010;Kao and Jurafsky 2012) and poetry generation (Manurung, Ritchie, and Thompson 2012;Zhang and Lapata 2014;Ghazvininejad et al 2016). Research on stylistics has focused on the features that make a poem come across as poetic (Kao and Jurafsky 2012); on quantifying poetic devices such as rhyme and meter (Hayward 1996;Greene, Bodrumlu, and Knight 2010;Genzel, Uszkoreit, and Och 2010); on evidence of intertextuality and how to prove stylistic influence between authors (Forstall, Jacobson, and Scheirer 2011); or on authorship and style attribution (Kaplan and Blei 2007;He et al 2007;Fang, Lo, and Chinn 2009). These studies are examples of detecting statistical regularities in poetic language, potentially helping us to better understand and categorize poetic literature (Fabb 2006).…”

Section: Introductionmentioning

confidence: 99%

Predicting Concrete and Abstract Entities in Modern Poetry

Caccavale

Søgaard

2019

AAAI

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One dimension of modernist poetry is introducing entities in surprising contexts, such as wheelbarrow in Bob Dylan’s feel like falling in love with the first woman I meet/ putting her in a wheelbarrow. This paper considers the problem of teaching a neural language model to select poetic entities, based on local context windows. We do so by fine-tuning and evaluating language models on the poetry of American modernists, both on seen and unseen poets, and across a range of experimental designs. We also compare the performance of our poetic language model to human, professional poets. Our main finding is that, perhaps surprisingly, modernist poetry differs most from ordinary language when entities are concrete, like wheelbarrow, and while our fine-tuning strategy successfully adapts to poetic language in general, outperforming professional poets, the biggest error reduction is observed with concrete entities.

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“…In this paper, we propose a psycholinguistic framework for analyzing textual features that may be responsible for the poetic beauty in the poems of King Henry VIII. Previous research focused on quantifying poetic devices such as rhyme and meter (Hayward, 1996;Greene et al, 2010;Genzel et al, 2010), tracking stylistic influence between authors (Forstall et al, 2011), or classifying poems based on the poet and style (Kaplan & Blei, 2007;He et al, 2007;Fang et al, 2009). In this paper, we aim to show the affect of the psychological condition of King Henry VIII on his writings (Poems and lyrics).…”

Section: Introductionmentioning

confidence: 99%

A Psycholinguistic Analysis to King Henry the VIII’s Selected Poems and Lyrics

Majeed

Dabbagh

2016

AJHSS

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Reading and studying the early Renaissance, it might seem out of place to consider King Henry VIII as an author, or even to consider that a monarch such as Henry chose to occupy himself with writing. Yet it is not in the least odd that Henry wrote. Henry VIII was a man drawn to poetic expression, even spontaneously so. Reading King Henry the VIII’s character in history books reveal the fact that there was a foul poet aside, whose poetic indecency results in an increased distance from the monarch to something well known in the sixteenth and early-seventeenth centuries, but less so today: Henry’s literary pursuits, and particularly his love of lyrics as a writer, a composer, and a performer. In the present study, there is an attempt of revealing something of the Henry’s poetic character. King Henry the VIII experienced many events in his life from his early childhood till his death. These events affected his physiological condition which had a great influence on his writings. Throughout this study, some of his poems and lyrics will be analyzed in a way that shows the effectiveness of these events and psychological conditions on the language of the poems and lyrics he used. The paper presents a psycholinguistics analysis to these poems and analysis.

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SVM-Based Classification Method for Poetry Style

Cited by 13 publications

References 2 publications

Emotion Detection and Sentiment Analysis in Text Corpus: A Differential Study with Informal and Formal Writing Styles

Emotion Detection and Sentiment Analysis in Text Corpus: A Differential Study with Informal and Formal Writing Styles

Predicting Concrete and Abstract Entities in Modern Poetry

A Psycholinguistic Analysis to King Henry the VIII’s Selected Poems and Lyrics

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