2022
DOI: 10.1075/ml.21016.tho
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Structural markedness and depiction

Abstract: Ideophones are marked words that depict sensory imagery and are hypothesized to be structurally marked, i.e., exhibiting unique structural properties. In this paper, “marked” is broadly used to mean phonologically marked (Dingemanse, 2021: Akita and Dingemanse, 2019). Using Cantonese ideophones as our case study, this paper measures sequential predictability within ideophones and non-ideophones, as a way to test their relative degree of structural markedness. We created a database of non-ideophones and ideopho… Show more

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Cited by 2 publications
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“…Ideophones are marked words that depict sensory imagery (Akita & Dingemanse, 2019). Ideophones stand out by being marked in terms of phonology (Nuckolls, Stanley, Nielsen, & Hopper 2016; Thompson & Do, 2019; Thompson, Chan, Yeung, & Do, 2022) as well as prosody (Mok, 2001; Thompson, 2018; Van Hoey & Thompson, 2020) and morphosyntax (Beck, 2008). They often feature iconic associations between form and meaning grounded in cross‐modal structural analogies (Akita & Dingemanse, 2019; Emmorey, 2014)—such as sibilant sounds like /ʃ/ being associated with scraping or roughness because fricative movements or contact with a rough texture often results in a sibilant noise (see Thompson, Van Hoey, & Do, 2021)—something that is enabled by their highly concrete and sensory meanings (McLean, 2020; Nuckolls, 2019; Van Hoey, in press).…”
Section: Introductionmentioning
confidence: 99%
“…Ideophones are marked words that depict sensory imagery (Akita & Dingemanse, 2019). Ideophones stand out by being marked in terms of phonology (Nuckolls, Stanley, Nielsen, & Hopper 2016; Thompson & Do, 2019; Thompson, Chan, Yeung, & Do, 2022) as well as prosody (Mok, 2001; Thompson, 2018; Van Hoey & Thompson, 2020) and morphosyntax (Beck, 2008). They often feature iconic associations between form and meaning grounded in cross‐modal structural analogies (Akita & Dingemanse, 2019; Emmorey, 2014)—such as sibilant sounds like /ʃ/ being associated with scraping or roughness because fricative movements or contact with a rough texture often results in a sibilant noise (see Thompson, Van Hoey, & Do, 2021)—something that is enabled by their highly concrete and sensory meanings (McLean, 2020; Nuckolls, 2019; Van Hoey, in press).…”
Section: Introductionmentioning
confidence: 99%