Still-Life in the Creative Work of P.V. Kuznetsov (1878-1968)

Abstract

Ассоциация искусствоведов (г. Москва) нАтЮрмОрт В тВОрчестВе П.В. КузнеЦОВА (1878-1968) Аннотация. Павел Варфоломеевич Кузнецов (1878-1968)-это один из интереснейших и самобытных русских художников XX века. Его творчество разворачивалось в сложных условиях времени, насыщенного эстетическими сломами и трагическими переживаниями. Лирическая природа дарования сделала его одним из лидеров символистов московской школы, связанной в истории живописи со знаменитой выставкой 1907 года: «Голубая роза» [2; с.1]. Постоянные поиски идеального пространства, наполненного гармониями художественных ритмов, были характерны для мистических фонтанов 1900-х годов, степных сюит 1910-х годов, динамичных пейзажей 1920-1930-х годов, а также для театральных эскизов, декоративных панно и музыкальных натюрмортов, которые станут одним из ведущих жанров творчества П.В. Кузнецова. Ключевые слова: творчество П.В. Кузнецова, профессиональная рисовальная школа, рисунок и живопись, портрет, техника майолики, сценография, картины и этюды, выставки, лирический пейзаж, ранние символистские произведения, натюрморт, масляная живопись. filippova Olga Association of Art Critics (Moscow) still-life in the creAtive wOrK Of P.v. KuznetsOv (1878-1968) summary. Pavel Kuznetsov (1878-1968) is one of the most interesting and original Russian artists of the XX century. His work unfolded in difficult conditions of time, full of aesthetic fractures and tragic experiences. The lyrical nature of the talent made him one of the leaders of the symbolists of the Moscow school, associated in the history of painting with the famous exhibition of 1907: "Blue rose». The constant search for an ideal space filled with harmonies of artistic rhythms was characteristic of mystical fountains of the 1900-ies, steppe suites of the 1910-ies, dynamic landscapes of the 1920-ies-1930-ies, as well as for theatrical sketches, decorative panels and musical still-lifes, which will become one of the leading genres of P.V. Kuznetsov's creativity. It is in the still-lifes of each creative period that the development of stylistic features of his painting is easily traced. Such as, in many works of the early period of time (as an example: "Bukhara still-life", 1913) was used compositional technique-a comparison of decorative, solved foreground with constructively solved distant: material credibility of objects still-life group and some vibrating instability, ghostly, as it were, dissolving in the solar haze of architectural structures of the background. The unclosed composition is perceived as part of an infinite space-dynamic, saturated with air and light, life itself, illuminating and spiritualizing the foreground objects, and each of them becomes an integral part of this life, and its symbol. Another feature of P.V. Kuznetsov's still-lifes was also determined in this early, "Eastern" period-he takes for his compositions objects in which one way or another reflects the spiritual life of man, their Creator. These are ancient porcelain, paintings, engravings, painted trays, embroidered suzani, ...

Study of the efficiency of using a machine in the automation of agricultural production

“…Figures 1 and 2 show the plots of the theoretical (a) and actual kt.s (b) time utilization of a hydraulic excavator with a hinged segmental working body [4] for compacting backfill soils in hard-to-reach places during a shift from measurements of the average distance lav between dispersed objects. Analysis of the graphs shows that the theoretical machine utilization by time during a shift has an inverse exponential dependence on the run length.…”

“…(piecewisecontinuous) exponential dependence, which is determined by adjusting the theoretical curve taking into account an integer number of dispersed objects of work. At the intersection points, the expressions 𝑘𝑘 �.� ′ � 𝑘𝑘 �.� are valid, that is, with the corresponding values of the mileage lav, the number of objects n and the relative average unit volume Rυ, the entire shift time of the machine is entirely used for technological operations and the necessary transport machine movement [1][2][3][4][5][6][7][8][9][10]12].…”

“…The first step in this direction should be the development of a unified long-term plan for scientific research, taking into account the achievements of science and the experience of automating various branches of production. Process modeling makes it possible to study the possibilities of using numerical methods for modeling the interaction of the soil environment and the working bodies of tillage machines [1][2][3][4][5]11].…”