Stendhal et l'invention de l'intellectuel

Hir, Marie Pierre Le

doi:10.1353/ncf.2007.0080

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Cited by 3 publications

References 9 publications

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This Death Which Is Not One: The Postcolonial Author as Public Intellectual

Simek¹

2016

The New Public Intellectual

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This Death Which Is Not One: The Postcolonial Author as Public Intellectual

Simek¹

2016

The New Public Intellectual

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La Question sociale et la recherche de soi dans Lucien Leuwen de Stendhal

Amoss¹

2011

ncf

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The motif of social unrest underlies the action of Stendhal's Lucien Leuwen. The appellation "Saint-Simonian" haunts young Lucien in the drawing rooms he frequents. Society is preoccupied by the old political battles of the revolutionary period and by the unseemly pursuit of money and the derisory favors of a July Monarchy government lacking gravity and direction. Lucien's suspected Saint-Simonism underlines a continual questioning that seeks to situate the different characters in the range of political and social positions that existed in the 1830s. The incipient labor movement and the claims of the working class become an aspect of society against which the sensitive individual in search of his social identity must define others as well as himself.

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El novelista como intelectual. La función pública de la novela de folletín en la Francia del siglo XIX

Téllez

2021

Humanidades (Montev.)

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The purpose of this article is to elucidate some of the historical and intellectual conditions that led to the serialized novel collaborating in the emergence of the public intellectual. To this end, the article traces, from nineteenth century French literary texts and historiographical works, the correlation between history and literature. By recovering the investigations that have accounted for the appearance of the serialized novel and the type of reader it produced, it is possible to demonstrate the relationship between the press and the serialized novel for the future of the intellectual. Consequently, this article investigates the production conditions of the new literary forms that emerged with the massification of the newspaper: the serialized novel. The article is divided into three parts. The first part is a study on the emergence of the serialized novel and the mystery novel as a result of the new process of production and popularization of the press. The second part proposes the figure of the novelist as the first public intellectual. The third part redefines the term intellectual to establish the implications of the social ethic of the intellectual novelist as a press for current literary history. This reflection is situated within the framework of the social conflict that arose after the Dreyfus case, a historical moment in which the public intellectual emerged.

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Stendhal et l'invention de l'intellectuel

Cited by 3 publications

References 9 publications

This Death Which Is Not One: The Postcolonial Author as Public Intellectual

This Death Which Is Not One: The Postcolonial Author as Public Intellectual

La Question sociale et la recherche de soi dans Lucien Leuwen de Stendhal

El novelista como intelectual. La función pública de la novela de folletín en la Francia del siglo XIX

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