The purpose of this article is to elucidate some of the historical and intellectual conditions that led to the serialized novel collaborating in the emergence of the public intellectual. To this end, the article traces, from nineteenth century French literary texts and historiographical works, the correlation between history and literature. By recovering the investigations that have accounted for the appearance of the serialized novel and the type of reader it produced, it is possible to demonstrate the relationship between the press and the serialized novel for the future of the intellectual. Consequently, this article investigates the production conditions of the new literary forms that emerged with the massification of the newspaper: the serialized novel. The article is divided into three parts. The first part is a study on the emergence of the serialized novel and the mystery novel as a result of the new process of production and popularization of the press. The second part proposes the figure of the novelist as the first public intellectual. The third part redefines the term intellectual to establish the implications of the social ethic of the intellectual novelist as a press for current literary history. This reflection is situated within the framework of the social conflict that arose after the Dreyfus case, a historical moment in which the public intellectual emerged.
Este artículo estudia las representaciones literarias, fotográficas y musicales del campesino en la Revolución mexicana (1910 y 1917). Los objetivos son analizar las figuras de la animalidad en las representaciones campesinas. A su vez, problematizar la fisiología literaria como operación estética en algunas expresiones artísticas de la Revolución mexicana. La metodología utilizada es una aproximación crítico-hermenéutica de textos literarios, canciones populares y fotografías de la época para articular una relación entre texto, contexto y representación estética. Se trata, principalmente, de una metodología de crítica literaria instrumentada a objetos visuales y sonoros. Para ello, el primer apartado destaca los elementos centrales de la representación animal del campesino a lo largo del siglo XIX y el segundo analiza cómo en la cultura popular se configuraron las representaciones del campesino como animal. Los resultados sugieren que una de las formas que ofrece mayor rendimiento epistemológico para el análisis estético del campesinado es el estudio de la tropología de la animalidad. En conclusión, se estudia la representación animal del campesino como proceso estético en la construcción de la nación y en el proceso de la identidad nacional mexicana.
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