Steed as a drag queen and the asexual Number Six: Notes on cult tele-fantasy’s queer roots

Haslop, Craig

doi:10.1177/1749602019875856

Cited by 2 publications

(2 citation statements)

References 3 publications

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“…Mientras que el campo de las series y de la televisión en general cuenta con una gran presencia en las publicaciones (González, Marcos y Portillo, 2019;Moniz, 2016;Mateos-Pérez y Ochoa, 2016), el cruce entre género e infoentretenimiento no se muestra tan rico, por no decir muy poco estudiado. Incluso las perspectivas del feminismo tradicional de Simone de Beauvoir se han cotejado con series televisivas actuales, y su perpetuación de estereotipos (Bandrés, 2019) o se ha estudiado el tratamiento LGTBI (Haslop, 2019).…”

Section: La Mujer Y Su Representación En Los Medios De Comunicaciónunclassified

La figura de la mujer en programas de infoentretenimiento en España: el resistente techo de cristal

Llanos¹,

Pavía²

2020

ADR

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This article aims to analyse the figure of women and the manifestations of their gender role in five successful infotainment programmes in Spain.Design / Methodology / Approach: Through the quantitative and qualitative analysis of the attributes of each of its interventions, this study tries to empirically demonstrate the existence of these roles. It focuses on the number of appearances of both sexes in five infotainment programs (El Intermedio, El Hormiguero, La Resistencia, Late Motiv and Polònia), as well as their clothing, their personalities or the evident phenomenon of sexualization of the woman's body.Results: It can be summarized that the presence of men and women in the analysed programmes is markedly disparate, as well as that there is a pattern in the clothing of men and women, not to mention that the objectification of the female sex is evident in each of the television products.Limitations / Implications: The large audiences of such programmes can have an impact on the image of women in society. By reviewing only a finite group of episodes from five programmes, it can be said that this is an exploratory study.Originality / Contribution: This text contributes to gender studies in contemporary Spanish television, in one of the least addressed fields, that of infotainment. It shows that in this macrogenre there is still a glass ceiling, not only because the main hosts of the programmes are men, but also because of the entrenched gender roles.

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Section: La Mujer Y Su Representación En Los Medios De Comunicaciónunclassified

La figura de la mujer en programas de infoentretenimiento en España: el resistente techo de cristal

Llanos¹,

Pavía²

2020

ADR

View full text Add to dashboard Cite

show abstract

Section: La Mujer Y Su Representación En Los Medios De Comunicaciónunclassified

Untitled

2020

ADR

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http://adresearch.esic.edu Sales terms: Spain: 40 euros an issue. 60 euros annual subscription. Other countries: 50 euros an issue. 90 euros annual subscription. BIANNUAL EDITION aDResearch ESIC, International Journal of Communication Research, does not necessarily identify with the opinions and judgements of its collaborators, who are exclusively reponsible for them. Forbidden the partial or total reproduction of this magazine without citing its source. All of the articles are revised by experts.

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Steed as a drag queen and the asexual Number Six: Notes on cult tele-fantasy’s queer roots

Cited by 2 publications

References 3 publications

La figura de la mujer en programas de infoentretenimiento en España: el resistente techo de cristal

La figura de la mujer en programas de infoentretenimiento en España: el resistente techo de cristal

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