2021
DOI: 10.1111/cgf.142655
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STALP: Style Transfer with Auxiliary Limited Pairing

Abstract: source style source frame Jamriška et al. target frame our approach Texler et al. Figure 1: An example of style transfer with auxiliary pairing-an artist prepares a stylized version (source style) of a selected frame from input video (source frame). Then a network is trained to transfer artist's style to remaining video frames (target frame). During the training phase a subset of input video frames as well as the source frame and its stylized counterpart are taken into account. Once the network is trained, the… Show more

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Cited by 9 publications
(9 citation statements)
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“…In addition, these methods were not trained on rough drawings, and would thus require a large training database that must encompass different drawing styles. In contrast, example‐based stylization approaches [TFK*20, FKL*21] can transfer arbitrary styles to a video sequence with only a few stylized exemplars. Nevertheless, as shown in our experiments (Section 5.1), when applied to rough drawings, their results look more like “advected” textures than hand‐drawn animations.…”
Section: Previous Workmentioning
confidence: 99%
See 1 more Smart Citation
“…In addition, these methods were not trained on rough drawings, and would thus require a large training database that must encompass different drawing styles. In contrast, example‐based stylization approaches [TFK*20, FKL*21] can transfer arbitrary styles to a video sequence with only a few stylized exemplars. Nevertheless, as shown in our experiments (Section 5.1), when applied to rough drawings, their results look more like “advected” textures than hand‐drawn animations.…”
Section: Previous Workmentioning
confidence: 99%
“…Instead, the goal of the interpolation process is to generate a set of strokes for each intermediate frame that (1) appropriately conveys the interpolated contour motion, (2) interpolates the stroke distributions of the key drawings, and (3) introduces a minimum amount of temporal artifacts. One possible solution for such a problem would be to rely on example‐based raster synthesis (e.g., [JST*19,TFK*20,FKL*21]). However, as discussed in Section 5.1 and shown in Figure 11, ignoring the vectorial nature of strokes does not preserve stroke consistency, which leads to severe visual artifacts in the resulting animations.…”
Section: Introductionmentioning
confidence: 99%
“…Jenny and Jenny (2013) used an early style transfer method, example-based texture synthesis, to apply Berann's style to 3D rendered terrains. This area of computer graphics has made significant progress since that time and continues to be a promising avenue of research-see the stylized panorama in Figures 11 and 12 of Futschik et al (2021). Still, as these methods are automatic, they lack artistic control, a crucial feature for creating expressive renderings.…”
Section: T O Wa R D S D I G I Ta L a N D S T Y L I Z E D Pa N O R A M...mentioning
confidence: 99%
“…Reference [3] proposes an example based image styling method based on the consistency of the target image during training.…”
Section: Introductionmentioning
confidence: 99%
“…Reference [ 3 ] proposes an example based image styling method based on the consistency of the target image during training. This method keeps the statistical data of neural response compatible with the data extracted from programmed sources and is widely used in video stylization, style conversion to panorama, face, and 3D models.…”
Section: Introductionmentioning
confidence: 99%