Abstract:Rousseau's interpreters often disagree over whether the Emile prepares its protagonist for membership in the Social Contract’s political community or presents him as an alternative to it. I argue that such attempts to determine the compatibility of Rousseau's different “projects” obscures his broader engagement with his contemporary popular audiences—particularly those associated with the theater and the novel—and the political implications therein. In contrast to the above debate, I turn to Emile to argue tha… Show more
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