“…The key idea here is that the visual system exploits redundancies and regularities in scenes to extract ensemble representations from groups of similar items, without having to examine each individual object. Recent work on ensemble coding has demonstrated human observers’ remarkable ability to extract average emotion (also termed “crowd emotion”) from sets of faces (e.g., Elias, Dyer, & Sweeny, 2016; Fischer & Whitney, 2011; Haberman, Harp, & Whitney, 2009; Haberman & Whitney, 2007; Hubert-Wallander & Boynton, 2015; Im et al, in press; Ji, Chen, & Fu, 2014; Yang et al, 2013), facial identity (de Fockert & Wolfenstein, 2009; Haberman & Whitney, 2007; Leib et al, 2012; Leib et al, 2014; Neumann, Schweinberger, & Burton, 2013), as well as a crowd’s movements (Brunyé, Howe, & Mahoney, 2014; Sweeny, Haroz, & Whitney, 2012) and eye gaze direction (Florey et al, 2016; Sweeny & Whitney, 2014). …”