Sound Navigation in PHASE Installation: Producing Music as Performing a Game Using Haptic Feedback

Cahen, Roland; Rodet, Xavier; Lambert, Jean‐Philippe

doi:10.1007/11590361_5

Cited by 2 publications

(2 citation statements)

References 4 publications

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“…When this virtual reality project was started in 1995, sound synchronization techniques where cumbersome: a Silicon graphics machine rendering visual objects was connected to Opcode Max 3 (MIDI only) using an external MIDI expander and the IRCAM's spatialisation system. More recent audio-graphic projects that R. Cahen has been involved in include BANDONEON [17], PHASE [18], ENIGMES [19], and TOPOPHONIE [20].…”

Section: 1mentioning

confidence: 99%

New Atlantis: Audio Experimentation in a Shared Online World

Sinclair¹,

Cahen

Tanant³

et al. 2017

Bridging People and Sound

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Computer games and virtual worlds are "traditionally" visually orientated, and their audio dimension often secondary. In this paper we will describe New Atlantis a virtual world that aims to put sound first. We will describe the motivation, the history and the development of this Franco-American project and the serendipitous use made of the distance between partner structures. We explain the overall architecture of the world and discuss the reasons for certain key structural choices. New Atlantis' first aim is to provide a platform for audio-graphic design and practice, for students as well as artists and researchers, engaged in higher education art or media curricula. We describe the integration of student's productions through workshops and exchanges and discuss and the first public presentations of NA that took place from January 2016. Finally we will unfold perspectives for future research and the further uses of New Atlantis.

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Section: 1mentioning

confidence: 99%

New Atlantis: Audio Experimentation in a Shared Online World

Sinclair¹,

Cahen

Tanant³

et al. 2017

Bridging People and Sound

Self Cite

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“…Performers are commonly provided with haptic or multimodal interfaces, which offer novel ways for interactively creating new musical patterns and entertaining experiences [8], [9]. The most exciting aspect, here, is the unpredictability on how new devices may influence the way music is generated [6].…”

Section: Related Workmentioning

confidence: 99%

On SPAWC: Discussion on a Musical Signal Parser and Well-Formed Composer

Ferretti

Roccetti

Zamborlin

2009

2009 6th IEEE Consumer Communications and Networking Conference

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Abstract-We present SPAWC (Signal Parser And WellFormed Composer), a system for the generation of complex melodies, chords and sounds, based on a simple interaction of the performer with an input instrument, i.e., a modulator. Via modulator, the performer generates inputs which are manipulated by SPAWC and transformed into melodies, chords or complex sounds. Real/virtual instruments, as well as a set of (pre or live) recorded audio samples can be utilized to produce the final output. In this paper, we describe all the system components working inside SPAWC. The final output is dynamically produced based on the utilized carrier, i.e., the exploited real/virtual instrument or the set of audio samples loaded on SPAWC. A real installation of SPAWC has been developed by exploiting a theremin as the modulator. Real experiences have demonstrated that SPAWC can be utilized by artists to produce interactive music generation experiences. Concurrently, the system can be employed for entertainment and educational purposes. The software architecture of SPAWC is designed to allow the distribution of its software components over a network. This would make possible to dynamically exploit different carriers available on the net, and promote novel forms of artistic interactions among users over the Internet.

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Sound Navigation in PHASE Installation: Producing Music as Performing a Game Using Haptic Feedback

Cited by 2 publications

References 4 publications

New Atlantis: Audio Experimentation in a Shared Online World

New Atlantis: Audio Experimentation in a Shared Online World

On SPAWC: Discussion on a Musical Signal Parser and Well-Formed Composer

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