Shakespeare and English history

Literatura e teatro mediados pela filologia editorial

“…A crítica textual tem por objetivo apresentar um texto, estabelecido conforme as normas adotadas pelo filólogo-editor, em única forma (princípio da unicidade) ou em múltiplas formas (princípio da variabilidade), de acordo com as vertentes editoriais, teleológica (platônica) ou pragmática (sociológica) (KASTAN, 2001;CHARTIER, 2010;BORGES et al, 2012), e as intenções do filólogo-editor (BORGES, 2020). Tais vertentes orientam a construção de diferentes produtos editoriais: edição fac-similar, diplomática, interpretativa, crítica, sinóptico-crítica, genética, edição eletrônica/digital (arquivo hipertextual/hiperedição), embora não sejam a justificativa para uma classificação das edições empreendidas.…”

4 The Salman Rushdie Archive and the Re-Imagining of a Philological E-volution

“…It is just a lot easier to understand how it works and its traces are more directly linked back to their author; that is, they are dependent less upon other agencies than print or digital display, but not therefore any less mediations of the authors work." 45 Kastan's point, of course, is that the very technology of the word processor (like that of the pencil and the printing press) were specifically designed to facilitate the production of a single manuscript that conceals through its very process of composition the errors, emendations, and edits associated with material (paper) based technologies. Reflecting on evidences discovered within his own archive, Salman Rushdie himself comments on the writers' fetish for the "clean" page.…”

“…Kastan (2001) 15.Benjamin Alexander -9789004270848 Downloaded from Brill.com09/28/2020 03:45:10PM via free access…”

Following the Book: Towards a Pragmatic Sociology of the Book

“… 4. Here I follow David Kastan’s opposition between the pragmatic viewpoint, epitomized by Jerome McGann, and the Platonist perspective, advocated by authors such as G Thomas Tanselle (Kastan, 2001: 117–118). …”