2016
DOI: 10.1080/17400309.2016.1187027
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Sensation/investigation: crime television and the action aesthetic

Abstract: This article explores the interface between crime television and action television, arguing that action/crime is a significant mode which has typically been overlooked in studies of the genre. It engages with the history of action/crime and its most prominent formal features discussing in more detail NCIS (2003-) and The Blacklist (2013-) and foregrounding the sensational elements of violence and physical movement through space as well as the flows of data and dynamic rendering of analysis typical of forensic … Show more

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Cited by 6 publications
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References 13 publications
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