2021
DOI: 10.1142/s0218348x21500419
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Self-Similarity of Classical Music Networks

Abstract: We present an in-depth analysis of the fractal nature of 21 classical music pieces previously shown to have scale-free properties. The musical pieces are represented as networks where the nodes are musical notes and respective durations, and the edges are its chronological sequence. The node degree distribution of these networks is analyzed, looking for self-similarity. This analysis is done in the full network, in its fractal dimensions, and its skeletons. The assortativeness of the pieces is also studied as … Show more

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Cited by 2 publications
(3 citation statements)
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“…Scale invariance and fractal properties in musical pieces have been found using other methods as well. In a recent work, Rolla et al (2021) provide an in-depth analysis of fractality of 21 musical pieces from various composers, including Chopin, Haydn, Clementi, Mozart, Schubert, Brahms and Beethoven. Applying a network analysis, the authors emphasize that scale-free properties of music are present in the harmonic domain as much as in Colored recurrence plots of a sample neuronal signal for increasing data sizes (n = 10 2 , 10 3 , 10 4 ).…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…Scale invariance and fractal properties in musical pieces have been found using other methods as well. In a recent work, Rolla et al (2021) provide an in-depth analysis of fractality of 21 musical pieces from various composers, including Chopin, Haydn, Clementi, Mozart, Schubert, Brahms and Beethoven. Applying a network analysis, the authors emphasize that scale-free properties of music are present in the harmonic domain as much as in Colored recurrence plots of a sample neuronal signal for increasing data sizes (n = 10 2 , 10 3 , 10 4 ).…”
Section: Discussionmentioning
confidence: 99%
“…2 Approaches and tools suitable for the analysis of these rich and nuanced codes have been proposed both on the side of social sciences - by linguistics, which in turn gave birth to structuralism - and mathematics - with the development of fractal formalisms. As early as 1975, Voss and Clarke (1975) proposed fractal characteristics as defining traits in the creation of algorithmic music, and fractal properties have been widely studied both in musical pieces (in particular in the classical genre) and in neuronal signals ( Trulla et al, 2018 ; Rolla et al, 2021 ).…”
Section: Introductionmentioning
confidence: 99%
“…In this work scores of classical musical pieces were transformed into networks whose nodes are musical events. In several of the musical pieces, the networks presented properties of self-similarity or fractal structure [19].…”
Section: Argentina and Chilementioning
confidence: 99%