2015
DOI: 10.1109/jstsp.2015.2415762
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Sector-Based Parametric Sound Field Reproduction in the Spherical Harmonic Domain

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Cited by 49 publications
(51 citation statements)
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“…The active-intensity vector expresses the mean flow of energy due to the effect of all sources and multi-path contributions in the sound scene, and has been extensively used for spatial sound reproduction [15,16], and for localisation of dominant sound sources, through the analysis of its directional statistics [17,18]. The notion of an intensity vector due to contributions in a spatially-localised region of the sound-field was introduced in [11]. It is expressed by the product of the acoustic pressure and acoustic particle velocity, due to a sound-field weighted by a desired beampattern c(γ 0 , γ)…”
Section: Spatially-localised Acoustic Intensitymentioning
confidence: 99%
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“…The active-intensity vector expresses the mean flow of energy due to the effect of all sources and multi-path contributions in the sound scene, and has been extensively used for spatial sound reproduction [15,16], and for localisation of dominant sound sources, through the analysis of its directional statistics [17,18]. The notion of an intensity vector due to contributions in a spatially-localised region of the sound-field was introduced in [11]. It is expressed by the product of the acoustic pressure and acoustic particle velocity, due to a sound-field weighted by a desired beampattern c(γ 0 , γ)…”
Section: Spatially-localised Acoustic Intensitymentioning
confidence: 99%
“…In the trivial case of a single plane wave source in the scene, all re-assignment DoAs will point to the source direction, independently of the beamforming direction, and hence all SRP powers are combined at the same point [11]. For a proper power preservation in this case, and assuming a uniformly arranged set of PWD/SRP directions, the beamformers should be normalised with the energy-preserving condition…”
Section: Directional Re-assignment-based Srpmentioning
confidence: 99%
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“…The analysis part is based on a B-Format or higher-order recording [40], and represents the timefrequency-wise spatial response using three parameters: the DOA (azimuth and elevation) and a diffuseness coefficient. Editing this kind of metadata in production was considered in [41] to achieve effects including rotation, zoom, compression, and spatial filtering.…”
Section: Low-level Parameters and Synthesismentioning
confidence: 99%
“…Direction of arrival (DOA) estimation is the task of identifying the relative position of the sound sources with respect to the microphone. DOA estimation is a fundamental operation in microphone array processing and forms an integral part of speech enhancement [1], multichannel sound source separation [2] and spatial audio coding [3]. Popular approaches to DOA estimation are based on time-delay-of-arrival (TDOA) [4], the steered-response-power (SRP) [5], or on subspace methods such as multiple signal classification (MUSIC) [6] and the estimation of signal parameters via rotational invariance technique (ESPRIT) [7].…”
Section: Introductionmentioning
confidence: 99%