Schumann's Revisions in the First Movement of the Piano Sonata in G Minor, Op. 22

Abstract

JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.. University of California Pressis collaborating with JSTOR to digitize, preserve and extend access to 19th-Century Music. Robert Schumann's Sonata in G Minor, op. 22, has a long and complex compositional history, one that is partially documented by the surviving manuscript sources. The work was published in 1839 after Schumann had substituted the present finale, written in 1838, for an earlier one. The second movement originated in 1830, the first and third movements date from 1833, and the original finale, Presto passionato, dates from 1835.1 This study will be concerned with the first movement of op. 22 as it survives in an early autograph fair copy: Berlin, Deutsche Staatsbibliothek, Mus. ms. autogr. Schumann 38. The Berlin autograph of op. 22 consists of eight leaves (sixteen pages) in a modern binding; one leaf is missing.2 The manuscript contains *The present study is an expanded version of a paper read at the annual meeting of the American Musicological Society, Washington, D. C., November 1974. I wish to thank Professors Rufus Hallmark and Nicholas Temperley for their thoughtful comments and suggestions. 'The second movement is based on a song, Im Herbste, composed in 1828. Both Im Herbste and the Presto passionato were published by Brahms in 1893 in the supplement to the collected edition of Schumann's works (Robert Schumann's Werke, ed. Clara Schumann, Johannes Brahms, et al. [Leipzig: Breitkopf & Hirtel, 1879, 1881-93]). 2The format of the manuscript is upright, 14 staves, 25.7 x 33.4 cm. Pagination of pp. 1-12 is in Schumann's hand. Pages 7 and 8, the missing leaf, contained the end of the first movement and the beginning of the second. Alterations, some pasted over the score, abound in the manuscript; one addition to the finale is appended on a separate half sheet. The Berlin library acquired the manuscript, which had belonged to the French Wagner enthusiast, Alfred Bovet, in 1911; pp. 7 and 8 were missing at the time of acquisition. See the Liepmannssohn auction catalog, XXXIX: Autographen-Versteigerung Autographen-Sammlungen Ignaz Moscheles und Reserve Alfred Bovet bestehend zum grossten Teil aus wertvollen Musikmanuskripten und Musikerbriefen (Berlin, 17 and 18 November 1911), pp. 113-16.