This paper presents a new interpretation of the first movement of Schumann’sFantasieop. 17 that combines formal function and expressive gesture. It offers a brief critique of previous interpretations, and presents a reading based on simultaneous conflicting designs, a number of fluid sections that change functions as they move toward and away from points of stability, and an overall narrative that arises from repeated denials of the kind of fulfillment associated with normative dynamic curves.
gris] that lacked familiar generic features to distract from possible interpretation as personal revelations',or, in other words, he preferred to keep his 'existential struggles' private, at least while he lived (p. 216). 3 The chapter then explores those works that Liszt did care to share with others, particularly his sacred works. Psychological and religious themes developed in the two previous chapters continue to inform the interpretation of works such as Via Crucis (1878-79), Psalm 129 (1880-81) and lesser-known ones, such as Qui Miriam absolvisti (1885). Pesce highlights the affective use of keys, dissonance and consonance, chromaticism and diatonicismthe latter (so marginalized by the habitual emphasis on post-tonality) often symbolic of hope. Liszt directs this expression of hope at others as well as himself, a communitarian impulse that, Pesce argues, 'does not fit squarely into the mould of Said's late artist for whom there is no solace or optimism' (p. 243). On the other hand, we have already seen in Chapter 4 how Liszt 'exiled' himself (to borrow Said's term) from accepted norms of sacred music to the point that even his would-be allies in the business of church reform found some of his works unsuitable for publication. The concluding chapter, 'Final Words', could have been entitled 'Resignation'. According to Pesce, resignation fortified Liszt against disappointment and doubt, and in his letters it took on the form of identifying with biblical characters that transcended suffering (discussed in Chapter 5) and viewing his compositional work as a moral duty. As he wrote to Olga in 1879, 'in the end, the father of heavenly mercies will reward the long and persevering labour of mankind. That is our hope!' (p. 255). Pesce's point is not merely the uncontroversial notion that religion comforted Liszt. Here, as well as in Chapters 5 and 7, we learn about specific theological notions of suffering, charity, hope, resignation and so on, because these were the ideas that greatly mattered to Liszt and were aesthetically channelled into many of his late works. The book appropriately concludes with a brief look at Resignazione (1877), a chorale-like piano miniature in the 'religious' key of E major, whose inconclusive end looks ahead towards the unknown. It was composed in the first year of Liszt's final decade.
La habitabilidad de espacios deportivos ayuda al usuario a interactuar con el medio ambiente y el contexto social. El objetivo de estudio fue evaluar la preferencia y tolerancia térmica de ocupantes de espacios deportivos con periodo de transición en clima cálido semiseco. El estudio se realizó en El Grullo, Jalisco, México y se empleó una metodología no experimental, descriptiva y transversal. Se aplicaron 258 cedulas de información a ocupantes de espacios deportivos en el periodo del mes de octubre del 2020 en un horario de 07:00 a 22:00 horas, se diseñó la cedula con base en la norma ISO 7933:2005 e ISO 10551:2019. Se registraron variables de ambiente térmico y meteorológicas de acuerdo a especificaciones de la Norma de la Organización Mundial de Meteorología (2014), el análisis de datos se llevó a cabo con correlación de Pearson para identificar asociación significativa entre variables ordinales y meteorológicas. Los datos obtenidos permitieron analizar el grado de preferencia y tolerancia de temperatura que presentaron los ocupantes de espacios deportivos al momento de entrevistarlos y marca la pauta para reflexionar sobre la necesidad de adecuación de estos lugares o incluso implementar estrategias bioclimáticas que generen una estadía placentera, de bienestar y calidad de vida.
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